Assign tracks 1-16 to outputs 1-4?
Moderators: Sharp, X-Trade, Pepperpotty, karmathanever
Assign tracks 1-16 to outputs 1-4?
In the sequencer, how do I assign tracks 1-16 to outputs 1-4? I have a whole new cd written in the sequencer and I am ready to begin recording using the 1-4 outputs.
Thanks,
Jon
Dark Army
Thanks,
Jon
Dark Army
WTF
I hope you are wrong. Why even have effects in the keyboard then? I have spent countless hours ...years making this cd...effects included. The way I have it set up with the effects are integral to the sound.
If I have to, I will record the whole thing out of the left and right outs with effects. All of the drums, bass...etc on two tracks, unadjustable. Sad....Sad. Then, add guitar and vocals.
Fail City
If I have to, I will record the whole thing out of the left and right outs with effects. All of the drums, bass...etc on two tracks, unadjustable. Sad....Sad. Then, add guitar and vocals.
Fail City

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- Senior Member
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- Location: Finland
Hmmm...this sucks
Ok...I am going to work on this problem. The way I have these songs set up, the effects are integral to the sound. The option that Matty proposed is not an option. It would be if I had 16 outputs on the korg and was recording to 16 different tracks on my DAW. Meaning, the only way I could add plug in effects to the tracks if if they each had thier own track. For the 4 outputs on the Korg, I will be using track one out for drums...track 2 out for bass...and the other 2 output tracks will have to take up the bulk on the other 14 sounds/trakcs on the sequencer. Meaning, that if I had 5 different synth sounds comming out of output 3 to be recorded onto one track on my DAW, adding an effect would put that effect on each of those 5 differnt synth sounds comming out of output 3 and recordrd to track x. I probably...and most definatley do not want to add the same effect to 5 differnt sequencer tracks.
That is not even to mention that the effects I would get from a plugin would not sound the same as what I have spent countless hours on the korg tweaking to get them to sound how I wanted.
That is not even to mention that the effects I would get from a plugin would not sound the same as what I have spent countless hours on the korg tweaking to get them to sound how I wanted.
The best solution would be to MIDI sync the triton and the DAW. not sure which one would be the master and which the slave though.
then, mute all but the track you want to record (rather, solo the track you want to record), then when you hit record on the DAW, it *should* start the triton playing too, if you have it connected up right.
repeat this for all your tracks on the triton, recording just one or two tracks at a time using the available outs.
then, mute all but the track you want to record (rather, solo the track you want to record), then when you hit record on the DAW, it *should* start the triton playing too, if you have it connected up right.
repeat this for all your tracks on the triton, recording just one or two tracks at a time using the available outs.
Current Gear: Kronos 61, RADIAS-R, Volca Bass, ESX-1, microKorg, MS2000B, R3, Kaossilator Pro +, MiniKP, AX3000B, nanoKontrol, nanoPad MK II,
Other Mfgrs: Moog Sub37, Roland Boutique JX03, Novation MiniNova, Akai APC40, MOTU MIDI TimePiece 2, ART Pro VLA, Focusrite Saffire Pro 40.
Past Gear: Korg Karma, TR61, Poly800, EA-1, ER-1, ES-1, Kawai K1, Novation ReMote37SL, Boss GT-6B
Software: NI Komplete 10 Ultimate, Arturia V Collection, Ableton Live 9. Apple OSX El Capitan on 15" MacBook Pro
Other Mfgrs: Moog Sub37, Roland Boutique JX03, Novation MiniNova, Akai APC40, MOTU MIDI TimePiece 2, ART Pro VLA, Focusrite Saffire Pro 40.
Past Gear: Korg Karma, TR61, Poly800, EA-1, ER-1, ES-1, Kawai K1, Novation ReMote37SL, Boss GT-6B
Software: NI Komplete 10 Ultimate, Arturia V Collection, Ableton Live 9. Apple OSX El Capitan on 15" MacBook Pro