Korg Forums

MarcusCarab wrote:I just can't see why it would be difficult.

Come on Korg. Sort it out please.
I found my own solution....I added an EH 2880 and looped from that. Rock solid....

Totally... similarly, the ability to recognize MIDI Start commands as a trigger to re-sync the clock (again in Global mode, not Ext) would make a HUGE difference for the usefulness of either machine for synced setups Wouldn't that be good. If it was that easy, wouldn't Korg have issued an OS ...

Hi there, Exactly correct for the audio. You might also like to "sync" the units with midi. One set to ext on set to int.the respective clocks will then listen to each other. A mic would be fun to add. Bang some vox into the KP3, use the vocoder. Chop up the loop with the 8 buttons. Have fun Cheers D

Hey,
No probs have fun

I still have a theory tho, call it conspiracy theory if you like, that the Pro and KP3 internals, ie clock timing and audio loop timing are not accurate. This would lead to the audio playing drifting from their own clocks!! Have a read on the innerclock system website. Its very interesting. Your ...

Nice little chill jam there. Thanks for posting the link. I think this is how the Pro works best for more ambient stuff. I understand what you are saying that havingthe Pro as master means that it cannot possibly drift.... Its science right!! I still have a theory tho, call it conspiracy theory if ...

Hi bowmoney, Ok, so pretty similar setup using units that receive clock stop / start. What happens when you set up a single kick running on the mc-303 and or the SH-32, have that / those running, then record a basic drum loop on the Pro. If you get the Pro loop super tight to the Rolands then nip ...

Then you should probably look at getting a different looper. The kaoss pads are attrocious at holding a loop in sync. Quick question: how is the DDM4000 with midi? In terms of syncing its effects from external midi clock with changing tempo? And also can you pre-map it then use it to control other ...

instead of getting caught 'in a loop' and noodling with the same sounds for too long.. something you have to be constantly aware of if you play live. BTW what I do, is simply use the vol controls on the banks to "drop them in and out". I dont play all the sounds "all the time". When I bring the ...

1. Don't use any MIDI sync with the Kpro 2. learn to beatmatch (nudge the tempo on the Kpro to keep it in sync if need be) I've had my Kpro loops stay in sync with my EMX (or damn near in perfect sync) for longer than 10 minutes when not using any MIDI sync... but then again there are always slight ...

Hi There,
if you hold down shift, and the any one of the four bank pads, it will show 4 "sliders" on the screen where you can adjust all 4 bank levels
Cheers
D

why not use the kpro as the main clock then? that's what I ended up doing...if it is sending out the signal,. and everything else receives it, you should be fine. Hey Bowmoney. Can I ask, if you were using a pro as a master, what was in your setup as slave? How were the 2 (or more?) units running ...

Ok so I sent an email to Korg, asking for there advice / opinion. Id still be interested in anyone setting up as I have to see what happens. Some thoughts. Both the Pro and the KP3 drift consistently in the same direction (as I write this away from the studio I cant remeber whether its fast or slow ...

2/ I tried pro int to kp3 ext. sampled a loop from the pro into kp3. Still drift, took about 5-6 mins Tried that. Whichever way I clock both Pro and Kp3 drift from each other, and the EMX-1 .The Pro is worse that the KP3. Pro has drifted noticably after 4 mins. The KP3 drifts noticably after 5-6 ...

Hi thanks for reply. The Pro doesnt have LFO effects etc. it has patches that have lfos on them, so didnt check lfo drift. Its anything thats recorded. I understand that all four banks will always be in sync as they are all running together within the unit. Its user skil to stop start these in time ...