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Yeah I somewhere have a "blank pattern set - no accents and accent switched off for every part" file saved so i can load it with the card slot (Using a xD to SmartMedia adapter). I'm not at my EMX at the moment, but encountered some confusion a while ago, relating to the arp, or possibly relating to ...

I assume you are talking about using this LFO in a "beat sync" state. As I recall, the triangle wave is different to the other LFOs... in as much as it does not get "re-triggered" by a note-on command (where the note-on doesn't overlap with a previous note), whereas the other LFOs all do re-trigger ...

a quick look at http://www.midisolutions.com didn't reveal anything they do that fits the bill, but thought they should be mentioned as their boxes really can do some wonderful things to MIDI without needing to run a computer to process/change/edit/merge/re-route/latency-correct the information, and ...

Just to add to this, you do also know what happens if you hold shift, mute and then press any drum (or synth) part button?

Don't know it much, but I can point you to the midi-ox forum...

http://www.midiox.com/cgi/yabb/YaBB.pl

good luck.

Also, have a merry christmas.

Maybe ensure that your Oxygen midi keyboard is set to the correct channel (1 to 5) and that it is not set to USB mode? I accidentally set it to USB-out mode, somehow, and this led to about a day trying to troubleshoot midi cables and sockets one handed, while pulling my hair out with the other ...

Also, a number of the "drum hit" PCM samples do NOT seem to have the transient (the main, initial, loudest peak of sound - i.e. the drumhit itself excluding the tail) mapped tightly to the beginning of the sample chuink. When you play the sample, there is therefore a split-second of silent-ness ...

I posted this tip, along with another ribbon-related tip, over on the "other" electribe forum a mere four days ago. I have not noticed it being mentioned anywhere else. (I notice it has recieved a few views so far, could you perhaps have been one of these viewers?) Either way, could you please join ...

"however, it could be that by buying the EMX you are automatically granted a license to use the preset data, or it could be that Korg just don't care enough to enforce their copyright on the data"

Well I didn't hear anything about Enter Shikari getting sued so.....

You could try using a drum machine with a footswitch jack for start/stop, and midi-out socket. I have an alesis sr-16 that i can use to do EXACTLY what you're asking for, and more. It allows me to startstop the electribe with a footswitch (hell i can even tap tempo with my foot before it starts ...

I had a similar problem when I first used my adaptor. Firstly, it needed to be inserted "upside down" into the slot. And secondly, when inserted "upside down" it seemed to exhibit the same problem you are describing. In my case, it was solved by reinserting it a couple of times. One made a good ...

plosive - "If you sequence your drums (or key parts) via a keyboard or a padkontrol, etc. the midi velocity for every step is recorded and will be transmitted during playback, along with any Accents." Do you mean if I use a keyboard to enter the notes of a synth part on my EMX, while the EMX is ...

And I am pretty sure mr.s, robosardine and yatmandu are correct. The advice you have asked for here,and been given, is that there should be no audible hiss to speak of, especially when there is no music playing, and the tube gain is turned fully anticlockwise, and you only have 1/4 to 1/2 master ...

If anyone can do this, it might also be worthwhile finding out what effect the resonance control has on the bpf. On some synths it increases the bandwidth. Worth checking I reckon. Also worth checking for any interesting behaviour of the other filter modes with different resonance values. I'd do it ...