Timbre specific sustain settings
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Timbre specific sustain settings
Hi guys!
I'm trying to figure out a way to sustain a pad sound in combi mode while playing piano using the damper freely. Currently my combi is setup so that the pad is set to one key in the high register and piano below that. I have to keep my damper pedal down which limits what I can play on the piano sound. In a Kurzweil I would access the layer specific pedal assignments but I'm not sure that's the way it works on a Kronos. Should I just tinker with the pad's EG so that it sustains once it's been played or can I somehow have the sustain always on in that one specific timbre? Thanks!
I'm trying to figure out a way to sustain a pad sound in combi mode while playing piano using the damper freely. Currently my combi is setup so that the pad is set to one key in the high register and piano below that. I have to keep my damper pedal down which limits what I can play on the piano sound. In a Kurzweil I would access the layer specific pedal assignments but I'm not sure that's the way it works on a Kronos. Should I just tinker with the pad's EG so that it sustains once it's been played or can I somehow have the sustain always on in that one specific timbre? Thanks!
I don't think you want to have a pad so the sustain is always on. A pad does not fade until you let go of a key (or the sustain pedal). If the sustain pedal is always down, that would mean that the sound never fades and keeps adding more notes. Try to change the EG instead so it fades slower. I think that's the effect you are actually after.
Latest Set Up: Kronos 61, Casio Privia, Korg TR61, EoWave Ribbon, Roli Rise 48, TEC Breath Controller, StudioLogic MP-117 Bass Pedals, Moog Theremini.
Past Instruments of Construction: Hammond A100 w/Leslie 760, Korg R3, Roland AxSynth, Korg Poly61, Korg M1, Univox MaxiKorg, Korg MS2000, (2) Moog Concertmate MG1, (2) Hammond X5, Rhodes Mark I & 2, Farfisa Compact, Yamaha S08, Casio SK1, Strymon Mobius, Custom Bass Pedals, Burns B3 Theremin.
Past Instruments of Construction: Hammond A100 w/Leslie 760, Korg R3, Roland AxSynth, Korg Poly61, Korg M1, Univox MaxiKorg, Korg MS2000, (2) Moog Concertmate MG1, (2) Hammond X5, Rhodes Mark I & 2, Farfisa Compact, Yamaha S08, Casio SK1, Strymon Mobius, Custom Bass Pedals, Burns B3 Theremin.
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- Posts: 14
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I'm using the one pad note almost like a long ambient sample to create movement and a simple 'anchor' for the harmony and improvising on top of that. The piano is not layered with the pad. I can then fade the pad out with a slider.
Could I maybe trigger the sequencer to hold that one note?
Could I maybe trigger the sequencer to hold that one note?
phattbuzz wrote:I don't think you want to have a pad so the sustain is always on. A pad does not fade until you let go of a key (or the sustain pedal). If the sustain pedal is always down, that would mean that the sound never fades and keeps adding more notes. Try to change the EG instead so it fades slower. I think that's the effect you are actually after.
You can use hold parameter to that timbre.
You can either alter timbre itself and set HOLD (PROG->Basic/vectoer->Program Basic->Key Zone and check Hold
Or you can also alter Hold parameter to particular timbre in COMBI mode using Tone Adjust (COMBI->Play->Control Surface->TONE ADJ. and assign [OSC1&2]Hold to one of the realtime buttons.
You can either alter timbre itself and set HOLD (PROG->Basic/vectoer->Program Basic->Key Zone and check Hold
Or you can also alter Hold parameter to particular timbre in COMBI mode using Tone Adjust (COMBI->Play->Control Surface->TONE ADJ. and assign [OSC1&2]Hold to one of the realtime buttons.
Korg KronosX/Pa4x/M3 • Ableton • Komplete • Omnisphere • Roland Cloud soundcloud.com/allandd
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- Posts: 14
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Perfect! I'll try this one out. Thanks! Also matchbook xD
alland wrote:You can use hold parameter to that timbre.
You can either alter timbre itself and set HOLD (PROG->Basic/vectoer->Program Basic->Key Zone and check Hold
Or you can also alter Hold parameter to particular timbre in COMBI mode using Tone Adjust (COMBI->Play->Control Surface->TONE ADJ. and assign [OSC1&2]Hold to one of the realtime buttons.
Slightly off topic. In the pre-midi days, I often had the handles from plastic silverware lying on certain keys of my string machine and at the appropriate time would press the key, sliding the plastic forward to wedge the key down. Required no additional pedals or fingers. A single sustained string or pad sound can often work well through some passages.
Current Hobbyist set - Korg Kronos 61, Casio PX-5S Korg M50, Yamaha S90 ES
Previous life proffesional lineup - Yamaha DX7, Korg Juno 106, Ensoniq Mirage
Pre-MIDI lineup - Polymoog, ARP 2600, RMI Electric Piano, Hohner String Machine.
Previous life proffesional lineup - Yamaha DX7, Korg Juno 106, Ensoniq Mirage
Pre-MIDI lineup - Polymoog, ARP 2600, RMI Electric Piano, Hohner String Machine.
I remember many years ago seeing a picture of Rick Wakeman's keyboard setup. On top of one of his keyboards he had what appeared to be a 2" X 4" board with screws in it. I hazard a guess it would placed on the keys on one of his keyboards (most likely his C3) with the screws facing down to actuate the keys. Never actually saw it in action, but I could see where something like this would work. You might be able to create something similar to this to accommodate your needs, Of course it would probably just need some slight modifications.
"To me the synthesizer was always a source of new sounds that musicians could use to expand the range of possibilities for making music."
Bob Moog
Bob Moog
Here you go. It is just to the right of his mixer.
https://lh3.googleusercontent.com/-l-ra ... tail+3.jpg
https://lh3.googleusercontent.com/-l-ra ... tail+3.jpg
"To me the synthesizer was always a source of new sounds that musicians could use to expand the range of possibilities for making music."
Bob Moog
Bob Moog
got a reference for that KARMA hold?IAA wrote:I love that picture of his rig, It was my dream rig!!
Kronos can do it all though.
Have you tried using karma to hold the pad- I use that a lot.
"To me the synthesizer was always a source of new sounds that musicians could use to expand the range of possibilities for making music."
Bob Moog
Bob Moog