I'm sorry if I'm re-treading ground, or if I am in the wrong forum, but the search function wouldn't work so I created a new post.
I have a Korg X5D. I've had it for about 8 years. Not too long ago, it developed a odd problem. When I use the damper pedal, specifically if I hold in down for a long while. It stops registering notes after about 5-10 secs of playing. If I release the pedal, it will play most of the notes, dropping maybe 1/7 of the notes I play in a 10 second period. I've never seen anything like it, I reset to factory defaults, but nothing. I'm going to buy a new pedal just in case, but I didn't know if anyone had encountered this problem before, and I they had a solution.
Thanks for your time, Korg Forum Members. And if it is a matter of my synth giving up the ghost, any suggestions for a new synth for under a grand?
Korg X5D damper switch issue
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The polyphony of the X5D is pretty limited (? ~ 16..32?) and holding notes, especially those that might use a double oscillator configuration, eats up your polyphony pretty quickly. Once the available notes are used up (i.e., held with a pedal) the unit should start taking away the first held note to let you play the next; a function called voice robbing. There may be a tick box in global that allows you to pick a mode to do that more intelligently -- I don't know for sure (RTM). But that's what the problem appears to be as you've described it.
It's not a fatal flaw or malfunction of the unit or the pedal, just a limitation of the architecture... you'd probably get the same issue cropping up if you tried to play a big midi file as well -- it would sound like a record skip except that parts would drop out noticeably.
BB
The polyphony of the X5D is pretty limited (? ~ 16..32?) and holding notes, especially those that might use a double oscillator configuration, eats up your polyphony pretty quickly. Once the available notes are used up (i.e., held with a pedal) the unit should start taking away the first held note to let you play the next; a function called voice robbing. There may be a tick box in global that allows you to pick a mode to do that more intelligently -- I don't know for sure (RTM). But that's what the problem appears to be as you've described it.
It's not a fatal flaw or malfunction of the unit or the pedal, just a limitation of the architecture... you'd probably get the same issue cropping up if you tried to play a big midi file as well -- it would sound like a record skip except that parts would drop out noticeably.
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billbaker
Triton Extreme 88, Triton Classic Pro, Trinity V3 Pro
+E-mu, Alesis, Korg, Kawai, Yamaha, Line-6, TC Elecronics, Behringer, Lexicon...
Triton Extreme 88, Triton Classic Pro, Trinity V3 Pro
+E-mu, Alesis, Korg, Kawai, Yamaha, Line-6, TC Elecronics, Behringer, Lexicon...
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Thanks for the knowledge Billbaker. I understand what you are saying and thats seems to explain what is happening. Since then, I haven't used any pedal with the Korg X5D. I couldn't find any settings pertaining to the oscillation, polyphony, or voice robbing.
The Keyboard has gotten alittle worse. Now it drops or make certain keys dead without having to use a sustain pedal. Now it happens it you are rocking out a little too hard with too many notes.
Oh well, its by no means unplayable. Just an old keyboard not being able to do the same old tricks.
The Keyboard has gotten alittle worse. Now it drops or make certain keys dead without having to use a sustain pedal. Now it happens it you are rocking out a little too hard with too many notes.
Oh well, its by no means unplayable. Just an old keyboard not being able to do the same old tricks.
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You don't show a location or give a genre, either of which would make a recommendation easier.
Plowing on tho', there are a lot of USED synths under $1000 US - some are former flagship models, many are 88-key weighted 'boards. Most have pretty decent polyphony.
I've had pretty good luck from a price and quality standpoint with used gear from guitar center.
A recent look tells me that for a grand you could get:
Korg Triton Classic 61 or LE 76 ($499) [great sounds and way better polyphony]
M-audio Venom ($250) [edgier more up-to-date sounds than X series]
Alesis Micron ($200) [just for fun - digital analog hybrid; sounds different than anything the korgs can do]
... and still have enough left over for a Quarter Pounder w' Cheese.
BB
You don't show a location or give a genre, either of which would make a recommendation easier.
Plowing on tho', there are a lot of USED synths under $1000 US - some are former flagship models, many are 88-key weighted 'boards. Most have pretty decent polyphony.
I've had pretty good luck from a price and quality standpoint with used gear from guitar center.
A recent look tells me that for a grand you could get:
Korg Triton Classic 61 or LE 76 ($499) [great sounds and way better polyphony]
M-audio Venom ($250) [edgier more up-to-date sounds than X series]
Alesis Micron ($200) [just for fun - digital analog hybrid; sounds different than anything the korgs can do]
... and still have enough left over for a Quarter Pounder w' Cheese.
BB
billbaker
Triton Extreme 88, Triton Classic Pro, Trinity V3 Pro
+E-mu, Alesis, Korg, Kawai, Yamaha, Line-6, TC Elecronics, Behringer, Lexicon...
Triton Extreme 88, Triton Classic Pro, Trinity V3 Pro
+E-mu, Alesis, Korg, Kawai, Yamaha, Line-6, TC Elecronics, Behringer, Lexicon...