9 engines, but 5 types of synthesis
Moderators: Sharp, X-Trade, Pepperpotty, karmathanever
One ig flop!!
Whether you count 4,5, 7 or 9 it all adds up to one EPIC FAIL!! You Korgwhores are going to be wailing about this loser for years!! LOL!
Re: One ig flop!!
Why dont you go back to your little motif cave, cheersdingo_klectos wrote:Whether you count 4,5, 7 or 9 it all adds up to one EPIC FAIL!! You Korgwhores are going to be wailing about this loser for years!! LOL!
Hello Guys;
Correct me if I'm wrong
HD-1 is simply sample playback
SGX-1 is also sample playback (however no loops)
MDS-1 is Physical Modelling (Dedicated to Electric Pianos)
Str-1 is Physical Modelling (Dedicated to the Plucked String)
AL-1 is Analog Modelling
MOD-7 is Variable Phase Modulation (Korg's version of FM)
MS20ex is Computer modelling of the MS20 (Analog Modelling)
Polysix is Computer modelling of the Polysix (Analog Modelling)
CX3 is Physical Modelling of the CX3 tonewheel Organ
Jimi Jones
Http://www.myspace.com/jimijones21
BTW Folks I just ordered my KRONOS 73 from Sweetwater, and the prices I've seen quoted here are extremely high as opposed to what I paid, I won't say what I paid, but I will say that I barely paid $3000 for mine
Correct me if I'm wrong
HD-1 is simply sample playback
SGX-1 is also sample playback (however no loops)
MDS-1 is Physical Modelling (Dedicated to Electric Pianos)
Str-1 is Physical Modelling (Dedicated to the Plucked String)
AL-1 is Analog Modelling
MOD-7 is Variable Phase Modulation (Korg's version of FM)
MS20ex is Computer modelling of the MS20 (Analog Modelling)
Polysix is Computer modelling of the Polysix (Analog Modelling)
CX3 is Physical Modelling of the CX3 tonewheel Organ
Jimi Jones
Http://www.myspace.com/jimijones21
BTW Folks I just ordered my KRONOS 73 from Sweetwater, and the prices I've seen quoted here are extremely high as opposed to what I paid, I won't say what I paid, but I will say that I barely paid $3000 for mine
Last edited by JimiJones on Wed Apr 13, 2011 6:40 pm, edited 1 time in total.
And Dingo was his name
Dingo;
Dude or Dudette;
Do you really have that much time on your hand to come here and bash KORG.......get a grip on your Jealousy....and while you're at it get a grip on a life or something close to it.
Jimi Jones
Dude or Dudette;
Do you really have that much time on your hand to come here and bash KORG.......get a grip on your Jealousy....and while you're at it get a grip on a life or something close to it.
Jimi Jones
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- danatkorg
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It's analysis/resynthesis.EvilDragon wrote:Uses samples as basis - it's not pure physical modeling.JimiJones wrote:MDS-1 is Physical Modelling (Dedicated to Electric Pianos)
Dan Phillips
Manager of Product Development, Korg R&D
Personal website: www.danphillips.com
For technical support, please contact your Korg Distributor: http://www.korg.co.jp/English/Distributors/
Regretfully, I cannot offer technical support directly.
If you need to contact me for purposes other than technical support, please do not send PMs; instead, send email to dan@korgrd.com
Manager of Product Development, Korg R&D
Personal website: www.danphillips.com
For technical support, please contact your Korg Distributor: http://www.korg.co.jp/English/Distributors/
Regretfully, I cannot offer technical support directly.
If you need to contact me for purposes other than technical support, please do not send PMs; instead, send email to dan@korgrd.com
EvilDragon;
Oh my bad, I didn't know that, I thought MDS-1 was completely synthetic, can you point me to where you found that info at, and has anyone from KORG USA or KORG R&D out here in California confirmed that info.
Jimi Jones
Oh my bad, I didn't know that, I thought MDS-1 was completely synthetic, can you point me to where you found that info at, and has anyone from KORG USA or KORG R&D out here in California confirmed that info.
Jimi Jones
Last edited by JimiJones on Wed Apr 13, 2011 6:44 pm, edited 1 time in total.
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Hello Again Dan Phillips;
If the MDS-1 is "Analysis/Resynthesis" then correct me if I'm wrong, but wouldn't that be "Synthetic"....?
Also Dan;
Is Korg R&D working on something like this for Saxophone, I can see the "Analysis/Resynthisis" method really shining for Saxes, since they are practically the most dynamic instrument, and hard to sample properly, I loved the saxes on the O1/W, and the Triton series, however before I sold it, my OASYS 76 really didn't impress me much in that department, would love to see Korg do better saxes.
Jimi Jones
If the MDS-1 is "Analysis/Resynthesis" then correct me if I'm wrong, but wouldn't that be "Synthetic"....?
Also Dan;
Is Korg R&D working on something like this for Saxophone, I can see the "Analysis/Resynthisis" method really shining for Saxes, since they are practically the most dynamic instrument, and hard to sample properly, I loved the saxes on the O1/W, and the Triton series, however before I sold it, my OASYS 76 really didn't impress me much in that department, would love to see Korg do better saxes.
Jimi Jones
Last edited by JimiJones on Wed Apr 13, 2011 6:51 pm, edited 1 time in total.
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Nope, that's not completely "synthetic", because they're analysing the core samples and resynthesizing them according to various factors. It's basically a lot of Fourier at work:
* analyse the sample, break it into a finite number of sine waves, each with its own frequency and phase
* analyse another sample in the same way
* interpolate between the two samples to get the in-between value
This would be an example process of taking two samples sampled at different velocity levels. After the interpolation you could play an "in-between" velocity and wouldn't notice any phasing from crossfading the velocity layers - you wouldn't be able to notice velocity layer stepping at all!
Dan, please correct me if I'm wrong somewhere, but that's what I've learned on college about resynthesis!
* analyse the sample, break it into a finite number of sine waves, each with its own frequency and phase
* analyse another sample in the same way
* interpolate between the two samples to get the in-between value
This would be an example process of taking two samples sampled at different velocity levels. After the interpolation you could play an "in-between" velocity and wouldn't notice any phasing from crossfading the velocity layers - you wouldn't be able to notice velocity layer stepping at all!
Dan, please correct me if I'm wrong somewhere, but that's what I've learned on college about resynthesis!
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