Kevin Nolan wrote:The Kronos OS is the OASYS OS. 7 of the 9 EXi's are the same in every detail. The other two are indeed superlative, but they are add-ons; as are the new sample packages.
Yes, 7 of the 9 EXi's are identical (though I'll leave it to Dan to point out any finer details that I'm not aware of.) But by saying that the additional two are "add-ons" is dismissive to a fault. Do you have any idea what kind of work it takes to include one of these "add-on's"? So easy to take for granted, isn't it? Specs on paper, and "pfft", it's an "add-on".
On a more positive note, when you hear the Kronos in person I think you'll be totally blown away by the difference in the piano and e.piano's as compared to the O. Personally I loved the Oasys piano sounds. But the new piano is mind-blowing. And aside from everything else, it was the piano sounds that sold me on getting a Kronos myself.
You're assuming that because I claim the Kronos to be the OASYS updated that some how that's an insult both to the Kronos or to Korg. Nothing could be further from the truth.
No, my objection was to what you wrote, and I quote, "So Korg have not put any fundamental new thought into Kronos".
That is insulting. With the obvious presence of people here who have worked on both keyboards it is, I believe, only reasonable to expect that you won't get a kindly reaction to a comment like that, whether some of us choose to keep their reaction to themselves or not.
And apart from Sina's correction of timing resolution, the Sequencer and even the Karma Engine are those form the OASYS (there may be some very minor improvement in both but nothing new or fundamental).
You wrote: "It's sequencer is identical to that of OASYS." It's not. The differences might be minor on paper, but I wouldn't call an increase in sequencer resolution insignificant. I know there are a whole lot of things that you would have liked to see in the K's sequencer. But an increase in resolution is nothing to sneeze at; it means that when you record something that's not going to be quantized, playback is going to be much truer to what you played.
Kevin, no one's stopping you from calling things as you see them. I'm just doing the same, and for the reasons I stated above. Really man, if you had any idea as to what it takes to bring an instrument like this to market you'd be a lot more chastened in your assessment of "how much thought" went into it.
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