Ok, I think I have that problem now it seems...
So, I guess I have to design my own efx now? How do I do that so that my Combis sound as good as my Progs.
Orrible sound break while changing sound
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higskies
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I use my TR with an Axiom controller when I play live. I can program my Combis to split and layer between the two keyboards AND I never have to change my Combi during the song. As far as it affecting the effects of the programs I use, I create my own programs and design them to sound good within the effect limitations I have on the TR.
Playing live is all about the performance and less about the sound quality. If you were under the microscope of a recording engineer, performance and sound quality are more equally important. Like Voltan said, even if you 'cut-off' or lose effects on a sound during a performance, people probably won't notice unless you are a solo keyboard act, in which case, you need to invest in a synth with more processing power.
Cheers!
Playing live is all about the performance and less about the sound quality. If you were under the microscope of a recording engineer, performance and sound quality are more equally important. Like Voltan said, even if you 'cut-off' or lose effects on a sound during a performance, people probably won't notice unless you are a solo keyboard act, in which case, you need to invest in a synth with more processing power.
Cheers!
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Korg TR, Legacy DE, padKontrol, M-Audio Axiom, Alesis QS7.1, Yamaha YS-200, Casio VZ-8M, Roland D-110, E-mu ESI-32, Absynth 3, FM7, Live 7, Sonar Producer 7, PreSonus Firepod interface, KRK Rokit5 monitors, Focusrite/Behringer/PreSonus preamps, Rode/Blue/Shure mics, kazoos?, Fender Telecaster, Danelectro U2, Epiphone Les Paul Studio, VOX/Peavey/Gorilla amps, Sigma DY10 Acoustic
Korg TR, Legacy DE, padKontrol, M-Audio Axiom, Alesis QS7.1, Yamaha YS-200, Casio VZ-8M, Roland D-110, E-mu ESI-32, Absynth 3, FM7, Live 7, Sonar Producer 7, PreSonus Firepod interface, KRK Rokit5 monitors, Focusrite/Behringer/PreSonus preamps, Rode/Blue/Shure mics, kazoos?, Fender Telecaster, Danelectro U2, Epiphone Les Paul Studio, VOX/Peavey/Gorilla amps, Sigma DY10 Acoustic
I'm with you. What yahoo thought it was a good idea to leave out a couple of dollars worth of RAM and on-board writable storage? I'm guessing it's the same yahoo who wrote the Korg manuals.Fatalmasterpiece wrote:I just generally don't change sounds unless it's a transition in the song... which makes sense because why should a sound change mid wriff anyhow? Also, since you can split of the keyboard you can make half of it a sound you need now, and half a sound you need soon...Voltan wrote:Guess what? It would require to double the processing power of the effects processor for the sole purpose of switching sounds. Does that make any sense?Mustis wrote:Some questions:
1- Should not KORG take notice that EVERY SINGLE PERSON that buys a TR or LE asks the same question ?
2- Should not KORG solve it ?
3- (Will I be banned from this forum by the people of Korg?)
PS: Another one: Should'nt be the "classic" threads always on the top of the forum ?
BTW - I've been playing in a band for 4 years with only Triton LE and I've been switching combis with that "horrible" cut-off and guess what? No one even notices that.
However, there are a couple strange things about the TR and LE that just don't make sense to me on Korg's part. Why couldn't it have come with Ram? I am sure they could have gotten a deal to put them in at less thatn a buck a piece... instead, every other thread on this forums is about "do I need ram, how do I install ram"?