Thanx, it's been a long time it took some much pleasure to play/program, the whole chain (osc, filters, FX...) is amazing, big quality


Moderators: Sharp, X-Trade, Pepperpotty, karmathanever
Let me reiterate, I think it sounds good and I was able to make some good sounds with it. Maybe in this past decade, we've been spoiled with new synths, new technologies, especially how Softsynths have improved since the late 90's, so while it was good what I heard and made, it wasn't anything particularly new...for me...can only talk about my experience.jimknopf wrote:The tube is there to support warm analog-like sounds and does that extremely well. It is not "needed" for any sound at all, just the contrary: if you want some kind of slim sound character for certain purposes, it is essential to keep the tube off. So it is good just as it is: to have all three option (off, on and boost). It is essential though to be able to save the settings per preset: this is no global setting in any way making sense: Korg should urgently change this extremely strange layout decision.
The price argument sounds a bit funny to me. The omission of aftertouch is bad, but hardly bad enough to think a grand is too much for this synth. May I ask which other polyphonic synths give us such a well done analog-like, non-aliasing, non-stepping basic character, and then delevering a whole set of classic filters which really do a good job?
The only one doing this in a comparable way, which I know of, is the Arturia Origin at ~3000$ for the keyboard version. And although I like a lot of the Artiria functionality, it is much easier to handle the KK, while it does sound at least as good to me - for my personal taste even better.
The cheaper alternatives are all very far from delivering a sound which is as smooth and warm, and as flexible at the same time, as the KK offers. So where is the the challenge concerning the price point? I see zero keyboard synth at 1000$ being remotely a challenge. I even paid 1200€(!) here in Germany, and to me it is completely worth it, without even thinking about it for a minute.
Yeah, I did think it was good and was all prepared to buy it, got the cash out the Bank ready...just couldn't do it for some reason. I've got an MS20 Mini on order, likely will be June when I get though, according to Korg UK.JPWC wrote:I really like the KingKorg. It is extremely easy to operate. Preset sound is very smooth, easy to tweak and you can make it sound more aggressive.
The push to activate knobs is cool, but I've forgot twice - how to turn the reverb on.
The extra PCM sounds could go, but if it was your only keyboard they would be useful.
I got a 12% discount at the GC, I did not intend to buy it. I had just added to my Elektron collection, the Monomachine, and was going to hold out for the MS20mini with my remaining money. While I still want an MS-20 Mini, I will have to wait until next year. I am not unhappy at all with the KingKorg.
Although I think the name sucks, the keyboard is good looking, and easy to read the panel. I don't need reading glasses like the Kronos.