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Dear God!!!
Moderators: Sharp, X-Trade, Pepperpotty, karmathanever
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BasariStudios
- Approved Merchant
- Posts: 6511
- Joined: Sun May 29, 2005 4:56 am
- Location: NYC, USA
- Contact:
Dear God!!!
http://www.basaristudios.com
Cubase 8.5 Pro. Windows 7 X64. ASUS SaberTooth X99. Intel I7 5820K. ASUS GTX 960 Strix OC 2GB. 4x8 GB G.SKILL.
2 850 PRO 256GB SSDs. 1 850 EVO 1TB SSD. Acustica: Nebula Server 3 Ultimate, Murano, Magenta 3, Navy, Titanium.
Cubase 8.5 Pro. Windows 7 X64. ASUS SaberTooth X99. Intel I7 5820K. ASUS GTX 960 Strix OC 2GB. 4x8 GB G.SKILL.
2 850 PRO 256GB SSDs. 1 850 EVO 1TB SSD. Acustica: Nebula Server 3 Ultimate, Murano, Magenta 3, Navy, Titanium.
Yowza! Congrats dude!!!
Background:
Back in the early 80's a friend loaned me his ARP 2600, knowing that I played keyboards. I didn't know anything about synthesis and to me it sounded like just so much noise.
I never took the considerable challenge of learning subtractive synthesis, which I regret, it would have more fully embraced my sound designer talent. To be in my 20s and drawn to that flame would have been awesome. But all the same, I'm glad I didn't get into it back then- analog synthesis in the late 70's, 80's was ridiculously expensive and fiddly. Are there improvements with your new baby made for stabilizing pitch?
It's curious that I'm a musician and not a graphic designer. Learning the piano as a kid was great, taking lessons for 5 years starting at 7, I had a long stretch of enthusiastic practice and application. But since then it's been rare for me to be going for it. I sound like someone in need of a project!
But I've had that moth to flame many many times with graphics, it seems easier to come by- like obsessing over the layout of a newsletter. I wish my capability of never-ending focus happened more often with music.
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How about yourself. Why the 2600? - Are you an avid voltage tweaker? - Is it all about the compelling challenge of doing sound design for different projects? - What motivates you to be so hands on and building sound from the ground up?
And what effects are you using? Hardware, DAW?
Any cool projects to motivate?
Randy
Background:
Back in the early 80's a friend loaned me his ARP 2600, knowing that I played keyboards. I didn't know anything about synthesis and to me it sounded like just so much noise.
I never took the considerable challenge of learning subtractive synthesis, which I regret, it would have more fully embraced my sound designer talent. To be in my 20s and drawn to that flame would have been awesome. But all the same, I'm glad I didn't get into it back then- analog synthesis in the late 70's, 80's was ridiculously expensive and fiddly. Are there improvements with your new baby made for stabilizing pitch?
It's curious that I'm a musician and not a graphic designer. Learning the piano as a kid was great, taking lessons for 5 years starting at 7, I had a long stretch of enthusiastic practice and application. But since then it's been rare for me to be going for it. I sound like someone in need of a project!
But I've had that moth to flame many many times with graphics, it seems easier to come by- like obsessing over the layout of a newsletter. I wish my capability of never-ending focus happened more often with music.
----------
How about yourself. Why the 2600? - Are you an avid voltage tweaker? - Is it all about the compelling challenge of doing sound design for different projects? - What motivates you to be so hands on and building sound from the ground up?
And what effects are you using? Hardware, DAW?
Any cool projects to motivate?
Randy
Keyboards: Kawai ES920 / Casio CT-X5000
Instruments: Keys / Alto Recorder and Melodica
Instruments: Keys / Alto Recorder and Melodica