sustain pedal
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sustain pedal
I have the SP2 sustain pedal. Not sure how the half damper calibration works, but alot of my electronic piano sounds sustain much too long. Is this a damper pedal issue, or is there a release/sustain value setting I need to change?
Thanks
Thanks
Hi, I have the same problem. I don't know why but sustain too long and some high frequencies appear in the sound.
I've made the half damper calibrate but no significant correct ….
I use Roland DP-10 pedals.
I have another question, is it possible to adjust time duration of sustain. WHY ???
Because I use to play stand up and play with sustain pedal disturbs me …
I've made the half damper calibrate but no significant correct ….
I use Roland DP-10 pedals.
I have another question, is it possible to adjust time duration of sustain. WHY ???
Because I use to play stand up and play with sustain pedal disturbs me …
yeah, you can. I don't remember exactly what page it is...but i'll check when I get home. Um, actually you can just move the "release" slider up a little, and that'll give you a longer release time without using a sustain pedal. There is another way to do it in the Page select settings and stuff, but this is way easier.
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- MartinHines
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The Damper/Sustain pedal works fine. So does the half-damper function (if you have the Korg DS-1H pedal).kayoticpig62 wrote:That BLOWS!!!!!!! I'm ready to eBay this thing. A damper pedal should act as a release and hold ....... not some f@#ked up adjustement on the panel.!!!!!!
These pedal operations are IDENTICAL to what was in the Triton, Triton Studio, and Triton Extreme.
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Why don't you just get the Korg DS-1H half damper pedal like it says in the manual, instead of selling the $3,000 M3 because your $30 non-Korg pedal is not compatible?kayoticpig62 wrote:That BLOWS!!!!!!! I'm ready to eBay this thing. A damper pedal should act as a release and hold ....... not some f@#ked up adjustement on the panel.!!!!!!
Regards,
Rob

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Rob Sherratt
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For the record..... I own a Yamaha Motif ES8, an Access Virus TI, a Moog Voyager and now an M-3. Buying a new susutain pedal is not a factor. A pricey peice of equipment, such as the M-3, should have the capability to have a plug and play sustain pedal....period ...the end! The last time I had a reverse polarized situation with a sustain pedal was with a Novation product some 10 years ago. So please, if you're going to offer a suggestion, think before submitting your inexperienced, mindlessly dense spew!
Thank You...................OUT!
Platinum Member
For the record..... I own a Yamaha Motif ES8, an Access Virus TI, a Moog Voyager and now an M-3. Buying a new susutain pedal is not a factor. A pricey peice of equipment, such as the M-3, should have the capability to have a plug and play sustain pedal....period ...the end! The last time I had a reverse polarized situation with a sustain pedal was with a Novation product some 10 years ago. So please, if you're going to offer a suggestion, think before submitting your inexperienced, mindlessly dense spew!
Thank You...................OUT!
Re: sustain pedal
The M-Audio SP-2 specs say it has a polarity switch - make sure to set it to (-) and then run the pedal calibration in Global Mode as others have instructed. be sure to SAVE GLOBAL SETTINGS after doing this so your setting are remembered.Gaingreen wrote:I have the SP2 sustain pedal. Not sure how the half damper calibration works, but alot of my electronic piano sounds sustain much too long. Is this a damper pedal issue, or is there a release/sustain value setting I need to change?
Thanks
Then report back here, things should be fine.
I can't understand if you are just saying you'd like to adjust the decay/sustain portion of our programming, or you are talking about the release stage (what happend when you let go of the keys).
Regards,
Jerry
If you are truly talking about how long it takes for the sound to die away while you are holding your keys on the keyboard, you want to adjust the Amp envelope.MickyLMR wrote:Nobody knows how?
I saw a keyboard player without pedal with a sound sustain. Certainly, he programs the sustain according to its piano style.
Somebody knows how he programs the sustain on the sound of Classic piano?
Thanks
To first experiment with this I would go to the Tone Adjust Page and adjust Sliders 6 and 7 to see if these are the parameters you are talking about. But on this page you are working a simple ADSR (Attack, Decay, Sustain and Release) envelope adjustment.
In the end it's better to go to the Amp Envelope page and work with the Rate/Time controls for Decay, Slope and Release. Take them down slightly in number and experiment to learn the powerful control you can have over shaping the sound.
Extra hint: you may find that simply changing the Curve will do the trick for you.
Experiment/have fun - there's plenty of control over the sounds - it IS a synth!
Regards,
Jerry
Wow... as I recall, on the Motif ES you can only use Yamaha polarity pedals, there is no adjustment for polarity as we offer on our products. So if you did own a (-) polarity pedal and asked for support from a Yamaha forum you'd be told you have to get a new/different pedal...kayoticpig62 wrote:Rob Sherratt
Platinum Member
For the record..... I own a Yamaha Motif ES8, an Access Virus TI, a Moog Voyager and now an M-3. Buying a new susutain pedal is not a factor. A pricey peice of equipment, such as the M-3, should have the capability to have a plug and play sustain pedal....period ...the end! The last time I had a reverse polarized situation with a sustain pedal was with a Novation product some 10 years ago. So please, if you're going to offer a suggestion, think before submitting your inexperienced, mindlessly dense spew!
Thank You...................OUT!
Lucky for that forum you never had that problem.

Jerry
The post talking about using the control surface was in response to a question a few posts down from the opening post, asking how to sustain without using a pedal.kayoticpig62 wrote:That BLOWS!!!!!!! I'm ready to eBay this thing. A damper pedal should act as a release and hold ....... not some f@#ked up adjustement on the panel.!!!!!!
Indeed a pedal should work straight out the box, if not just adjusting the polarity in the global page.
A half-damper needs calibrating because it covers a range, not just a simple on/off switch like most footswitch/damper pedals.
it is just like a computer joystick would need calibrating - the system needs to know how far the input goes in order to respond correctly.
Current Gear: Kronos 61, RADIAS-R, Volca Bass, ESX-1, microKorg, MS2000B, R3, Kaossilator Pro +, MiniKP, AX3000B, nanoKontrol, nanoPad MK II,
Other Mfgrs: Moog Sub37, Roland Boutique JX03, Novation MiniNova, Akai APC40, MOTU MIDI TimePiece 2, ART Pro VLA, Focusrite Saffire Pro 40.
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Other Mfgrs: Moog Sub37, Roland Boutique JX03, Novation MiniNova, Akai APC40, MOTU MIDI TimePiece 2, ART Pro VLA, Focusrite Saffire Pro 40.
Past Gear: Korg Karma, TR61, Poly800, EA-1, ER-1, ES-1, Kawai K1, Novation ReMote37SL, Boss GT-6B
Software: NI Komplete 10 Ultimate, Arturia V Collection, Ableton Live 9. Apple OSX El Capitan on 15" MacBook Pro
- Rob Sherratt
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I see you picked an appropriate user name to compliment the 4 messages you've posted so far on this forum.kayoticpig62 wrote:Rob Sherratt
Platinum Member
For the record..... I own a Yamaha Motif ES8, an Access Virus TI, a Moog Voyager and now an M-3. Buying a new susutain pedal is not a factor. A pricey peice of equipment, such as the M-3, should have the capability to have a plug and play sustain pedal....period ...the end! The last time I had a reverse polarized situation with a sustain pedal was with a Novation product some 10 years ago. So please, if you're going to offer a suggestion, think before submitting your inexperienced, mindlessly dense spew!
Thank You...................OUT!
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