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One ig flop!!
Posted: Tue Feb 01, 2011 9:29 pm
by dingo_klectos
Whether you count 4,5, 7 or 9 it all adds up to one EPIC FAIL!! You Korgwhores are going to be wailing about this loser for years!! LOL!
Re: One ig flop!!
Posted: Tue Feb 01, 2011 9:32 pm
by Jon Lord
dingo_klectos wrote:Whether you count 4,5, 7 or 9 it all adds up to one EPIC FAIL!! You Korgwhores are going to be wailing about this loser for years!! LOL!
Why dont you go back to your little motif cave, cheers
Posted: Tue Feb 01, 2011 9:32 pm
by SpIdErWeB
@Dingo: Wow, what a great troll reaction... anything else to add before to be banned? LOL
Posted: Tue Feb 01, 2011 9:51 pm
by jimknopf
Isn't it easy for us to ignore little cluesless posters like dingo?
Let him write his idiotic oneliners and just skip the nonsense, or ban him if he repeats offensive crap.
Trolls are too boring to deserve any answer.
Posted: Wed Apr 13, 2011 6:07 pm
by JimiJones
Hello Guys;
Correct me if I'm wrong
HD-1 is simply sample playback
SGX-1 is also sample playback (however no loops)
MDS-1 is Physical Modelling (Dedicated to Electric Pianos)
Str-1 is Physical Modelling (Dedicated to the Plucked String)
AL-1 is Analog Modelling
MOD-7 is Variable Phase Modulation (Korg's version of FM)
MS20ex is Computer modelling of the MS20 (Analog Modelling)
Polysix is Computer modelling of the Polysix (Analog Modelling)
CX3 is Physical Modelling of the CX3 tonewheel Organ
Jimi Jones
Http://www.myspace.com/jimijones21
BTW Folks I just ordered my KRONOS 73 from Sweetwater, and the prices I've seen quoted here are extremely high as opposed to what I paid, I won't say what I paid, but I will say that I barely paid $3000 for mine
And Dingo was his name
Posted: Wed Apr 13, 2011 6:10 pm
by JimiJones
Dingo;
Dude or Dudette;
Do you really have that much time on your hand to come here and bash KORG.......get a grip on your Jealousy....and while you're at it get a grip on a life or something close to it.
Jimi Jones
Posted: Wed Apr 13, 2011 6:13 pm
by cello
Don't spend any time thinking about dingo - (s)he was banned some time ago...
Posted: Wed Apr 13, 2011 6:14 pm
by EvilDragon
JimiJones wrote:MDS-1 is Physical Modelling (Dedicated to Electric Pianos)
Uses samples as basis - it's not pure physical modeling.
Posted: Wed Apr 13, 2011 6:42 pm
by danatkorg
EvilDragon wrote:JimiJones wrote:MDS-1 is Physical Modelling (Dedicated to Electric Pianos)
Uses samples as basis - it's not pure physical modeling.
It's analysis/resynthesis.
Posted: Wed Apr 13, 2011 6:43 pm
by JimiJones
EvilDragon;
Oh my bad, I didn't know that, I thought MDS-1 was completely synthetic, can you point me to where you found that info at, and has anyone from KORG USA or KORG R&D out here in California confirmed that info.
Jimi Jones
Posted: Wed Apr 13, 2011 6:44 pm
by EvilDragon
@danatkorg: Yep - that sounds better!
Reminds me of the fun I used to have in Camel Audio Cameleon5000, and now in Alchemy!
@jimi: seems like you've got your answer from Korg's man himself!
Posted: Wed Apr 13, 2011 6:46 pm
by JimiJones
Hello Again Dan Phillips;
If the MDS-1 is "Analysis/Resynthesis" then correct me if I'm wrong, but wouldn't that be "Synthetic"....?
Also Dan;
Is Korg R&D working on something like this for Saxophone, I can see the "Analysis/Resynthisis" method really shining for Saxes, since they are practically the most dynamic instrument, and hard to sample properly, I loved the saxes on the O1/W, and the Triton series, however before I sold it, my OASYS 76 really didn't impress me much in that department, would love to see Korg do better saxes.
Jimi Jones
Posted: Wed Apr 13, 2011 6:50 pm
by EvilDragon
Nope, that's not completely "synthetic", because they're analysing the core samples and resynthesizing them according to various factors. It's basically a lot of Fourier at work:
* analyse the sample, break it into a finite number of sine waves, each with its own frequency and phase
* analyse another sample in the same way
* interpolate between the two samples to get the in-between value
This would be an example process of taking two samples sampled at different velocity levels. After the interpolation you could play an "in-between" velocity and wouldn't notice any phasing from crossfading the velocity layers - you wouldn't be able to notice velocity layer stepping at all!
Dan, please correct me if I'm wrong somewhere, but that's what I've learned on college about resynthesis!
Posted: Wed Apr 13, 2011 6:53 pm
by JimiJones
EvilDragon;
Ok, that makes some sense, however the act of "Resynthesizing" is still synthesizing, and the very nature of that results in something "Synthetic" the means and ways are simply formality..whaddaya say Big Dan..?
Jimi Jones
Posted: Wed Apr 13, 2011 6:56 pm
by EvilDragon
Except it's not "synthetic sounding" - therein lies the difference, and the reason for that is that Korg used samples to analyse, instead of generating hundreds of sinewave partials through additive synthesis.