That's the basic idea, exactly: tweaks, as opposed to major changes. As Stephen points out, one place that Tone Adjust won't help is if you want to create or reassign modulation routings. Complex aspects of sounds, such as multi-velocity samples, patch panels, etc. aren't supported via Tone Adjust - which is where the new ability to edit Programs in context becomes very useful.Rosen Sound wrote:Okay maybe I'm really missing something.... but doesn't tone adjust solve 99% of the problems discussed here? If we assume that you choose your program because it's almost what you need, then we can assume that the adjustments you're more likely to make are things like the ADSR, LFO rate, Filter cutoff, etc all of which can be adjusted via tone adjust, and saved with the combi, sequence, etc.
Typically, Tone Adjust lets you dig in a little deeper with EXi than with the HD-1, allowing more significant changes to the sound. EXi also tend more towards the "Absolute" control model, which gives you the same resolution as the underlying parameters. Almost all of the "front panel" controls of the SGX-1, EP-1, CX-3, PolysixEX, and MS-20EX (with the notable exception of the patch panel) can be changed via Tone Adjust.
Sounds a lot like my personal approach.Rosen Sound wrote:If the adjustments goes beyond those, I'd be willing to say that at that point, you'd probably want to save it as a new "base" program anything.
In my kronos world, if I end up editing something too much to taylor one thing, I'll save it to a new location, and then edit it again to make it more versatile all around, and save it again.
Tone Adjust can be *edited* in Set List mode - handy for use with the CX-3, for instance - but edits are not saved in the Slot. They can be saved in the underlying Program/Combi/Song.Rosen Sound wrote:please correct me if I'm wrong, but tone adjust can now be saved with each set list slot now too... right? I know transpose is there, which is a big one. But even if tone adjust is not saved per set list and only per combi, program, etc, then to me, that is an infinitely more powerful than Yamahas approach....