New Korg NAUTILUS !!
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I've been wondering if Korg somehow "lost the recipe" to the Kronos, given the lack of real enhancements. The removal of Karma shows that they can still compile the code, at least. But it still might be possible that a key developer has left the team, leaving Korg with no ability to progress the product other than to comment out existing functionality.jimknopf wrote:This is nothing more than one further of the recent years long Kronos repackaging efforts (from new colours to the Grandstage) by the actual Korg management, without any remarkable overall concept update
Just a speculation, but it does seem odd that a product that was leading-edge and successful has been left to stagnate, while products with the "other" codebase (not from the Oasys/Kronos architecture) have been developed and released in the meantime.
Kronos2 73, Presonus StudioLive, Cakewalk / Sonar Platinum, Windows 10
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my theory, which I have mentioned, is Korg has other prioritiestimg11 wrote:I've been wondering if Korg somehow "lost the recipe" to the Kronos, given the lack of real enhancements. The removal of Karma shows that they can still compile the code, at least. But it still might be possible that a key developer has left the team, leaving Korg with no ability to progress the product other than to comment out existing functionality.jimknopf wrote:This is nothing more than one further of the recent years long Kronos repackaging efforts (from new colours to the Grandstage) by the actual Korg management, without any remarkable overall concept update
Just a speculation, but it does seem odd that a product that was leading-edge and successful has been left to stagnate, while products with the "other" codebase (not from the Oasys/Kronos architecture) have been developed and released in the meantime.
They have other priorities, since there is more money to be made with their various new products launched in the past 2-4 years.
IOW, its a more short term business calculation.
Korg Inc doesn't act like they care about further development of Kronos. Thats my opinion after years and years of seeing their other decisions and lack of tangible communication to Kronos owners.
I think you have cracked the code. I see Nautilus as a way to continue leveraging the more than decade old Oasys/Kronos R&D – at a significantly lower production cost and at a price point that will undoubtedly bring in an entirely new customer demographic.GregC wrote:
my theory, which I have mentioned, is Korg has other priorities
They have other priorities, since there is more money to be made with their various new products launched in the past 2-4 years.
IOW, its a more short term business calculation.
Korg Inc doesn't act like they care about further development of Kronos. Thats my opinion after years and years of seeing their other decisions and lack of tangible communication to Kronos owners.
I would not be surprised to see Korg discontinue the Kronos early next year and the Nautilus continue on as its "replacement" for several more years. Why not keep milking the cash cow?
Current: Kronos 61 Titanium, Yamaha Montage 6, Roland Fantom, Dexibell Vivo S7 Pro, MPC Live II; Previous: Kronos 73 SE and 2 88, Yamaha Motif 6, XF, EX5, SY77, DX7 (x2), CP33, Roland JP-50, Alesis QS8
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we all think Kronos is a high class product. Its that Korg is milking it, or riding it to the hilt. IMO.entonio wrote:The problem with that theory is that even the most incompetent of managements should know that if you don't have high class products you're not a top brand and your inexpensive toys won't sell the same or with the same margins.
They are using the Kronos sound engines in Nautilus, for example.
Korg will generate more profit over future years with Nautilus is my opinion.
Its their business, of course. If I were president of Korg Inc , I would have also authorized budget $ to enhance Kronos vs doing nothing for 3 years.
The ship has sailed , is what I keep repeating.
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hi Hans, Nautilus is sleek looking, fewer controls on the chassis. Not familiar with Krome.hans1966 wrote:Hi GregC, as I said in the news section, it gives the impression that Korg has created a fusion of Krome + Kronos, so that the end user can get the best of both models in one package. That is just my opinion
nautilus sounds great, as we would expect from Korg.
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The notion of pleasure must be the priority in music. And it is not a degrading notion.
It is obvious that anyone who has been using the Kronos for years no longer seems to realize how much the Kronos is far too complicated a machine and also a very inflexible machine for someone new to the Kronos who just wants to have fun in it. the music.
Nautilus is for them
And fortunately: for us too.

It is obvious that anyone who has been using the Kronos for years no longer seems to realize how much the Kronos is far too complicated a machine and also a very inflexible machine for someone new to the Kronos who just wants to have fun in it. the music.
Nautilus is for them
And fortunately: for us too.
trees are going fast.
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Current Gear : Kronos 88 / Seaboard Rise / Triton Extreme / Sequoia / Motif Rack XS / TC Helicon voicelive rack /Awave 11 / Audio & VSTi plug-ins connected /wide touchscreen / iPad Pro 512.
https://www.lairdeparis.fr
Current Gear : Kronos 88 / Seaboard Rise / Triton Extreme / Sequoia / Motif Rack XS / TC Helicon voicelive rack /Awave 11 / Audio & VSTi plug-ins connected /wide touchscreen / iPad Pro 512.
> - a sad joke of a completely insufficient controller interface for live play (and even unnerving in the home studio), still with an outdated capacitative display.
It's certainly outdated, and it's a resistive touch display, similar in design to the 1990s Palm Pilot, and the Kronos.
Warren
It's certainly outdated, and it's a resistive touch display, similar in design to the 1990s Palm Pilot, and the Kronos.
Warren
Korg TR 88
Warren Canada
Warren Canada
If folks are expected to get over tactile everything, and get used to virtual controls, then they might as well get an iPad and a MIDI controller for half the price. Nice, large, responsive screen. The new iPad has more processing power than the Kronos or Nautilus. Korg even make software for them.GregC wrote:It will be an excellent seller.
Folks will get over tactile everything and get into virtual controls.
Korg knows who will buy it before the buyers even realize it.
Its the Siren Song of Shiny New in 2021, for gigs to be in 2021/22.
Current Equipment:
Korg Kronos 2 88, Reface CS, Roland JV-1080, TE OP1, Moog Subsequent 37, Korg ARP Odyssey, Allen & Heath Zed 18, Adam F5, MOTU MIDI Express XT, Lexicon MX200 & MPX1, Yamaha QY700, Yamaha AW16G, Tascam DP008ex, Zoom H6, Organelle, Roland J6 & JU06A
Previous: Triton LE 61/Sampling/64MB/4GB SCSI, MS2000BR, Kronos 1 61, Monotribe, NanoKontrol, NanoKeys, Kaossilator II, Casio HT3000, Roland VP-03, Reface DX, Novation Mininova, MPC One
Korg Kronos 2 88, Reface CS, Roland JV-1080, TE OP1, Moog Subsequent 37, Korg ARP Odyssey, Allen & Heath Zed 18, Adam F5, MOTU MIDI Express XT, Lexicon MX200 & MPX1, Yamaha QY700, Yamaha AW16G, Tascam DP008ex, Zoom H6, Organelle, Roland J6 & JU06A
Previous: Triton LE 61/Sampling/64MB/4GB SCSI, MS2000BR, Kronos 1 61, Monotribe, NanoKontrol, NanoKeys, Kaossilator II, Casio HT3000, Roland VP-03, Reface DX, Novation Mininova, MPC One
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Too logical. Buying a sexy keyboard like nautilus is somewhat emotional.SeedyLee wrote:If folks are expected to get over tactile everything, and get used to virtual controls, then they might as well get an iPad and a MIDI controller for half the price. Nice, large, responsive screen. The new iPad has more processing power than the Kronos or Nautilus. Korg even make software for them.GregC wrote:It will be an excellent seller.
Folks will get over tactile everything and get into virtual controls.
Korg knows who will buy it before the buyers even realize it.
Its the Siren Song of Shiny New in 2021, for gigs to be in 2021/22.
Powered iPad and controller is kind of boring,
Korg knows this, too. It’s a simple choice