Roland cloud and rainlink
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Roland cloud and rainlink
Is this the real innovation from this years NAMM, Roland cloud and rainlink, a new open midi like standard by Roland with 24 bit resolution?
Video in the link : http://keyszone.boards.net/thread/47/ro ... d-rainlink
Video in the link : http://keyszone.boards.net/thread/47/ro ... d-rainlink
Korg Kronos 2/88 , Genos, Mainstage3 +VSTsu, ipad pro, GSi Gemini, Roland Integra 7, Jupiter Xm, Yamaha motif XS rack, Ketron SD90.
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Re: Roland cloud and rainlink
Like the concepts. FYI, lots of " we are working on it "Bachus wrote:Is this the real innovation from this years NAMM, Roland cloud and rainlink, a new open midi like standard by Roland with 24 bit resolution?
Video in the link : http://keyszone.boards.net/thread/47/ro ... d-rainlink
Cloud services have been around for a decade so it was inevitable that an MI co would leverage that for sound libs. A new midi standard, if it holds, is most welcome.
Re: Roland cloud and rainlink
The new MIDI standard is only useful if it's supported by other manufacturers. If not...Bachus wrote:Is this the real innovation from this years NAMM, Roland cloud and rainlink, a new open midi like standard by Roland with 24 bit resolution?
Video in the link : http://keyszone.boards.net/thread/47/ro ... d-rainlink
The cloud based functioning is fine for studios with good internet, not so good for gigging musicians.
Fred
Korg: Kronos2 88
Other: Tyros 5 76, DGX-650, YPT-320, Fretted Clavichord, Upright Piano, DX-7, SY-99, eMu MPS (last three in attic)
RCM Certificates: Advanced Rudiments
Korg: Kronos2 88
Other: Tyros 5 76, DGX-650, YPT-320, Fretted Clavichord, Upright Piano, DX-7, SY-99, eMu MPS (last three in attic)
RCM Certificates: Advanced Rudiments
Re: Roland cloud and rainlink
Well... i toight about that ... but since we all connect our keys directly to a computer... i think its more important that daws and such addapt the standard then other keyboard companies...fcoulter wrote:The new MIDI standard is only useful if it's supported by other manufacturers. If not...Bachus wrote:Is this the real innovation from this years NAMM, Roland cloud and rainlink, a new open midi like standard by Roland with 24 bit resolution?
Video in the link : http://keyszone.boards.net/thread/47/ro ... d-rainlink
The cloud based functioning is fine for studios with good internet, not so good for gigging musicians.
I think the standard rocks tough, it supports both HD realtime data as well as low latency audio
Korg Kronos 2/88 , Genos, Mainstage3 +VSTsu, ipad pro, GSi Gemini, Roland Integra 7, Jupiter Xm, Yamaha motif XS rack, Ketron SD90.
www.keyszone.boards.net
www.keyszone.boards.net
Re: Roland cloud and rainlink
We don't all connect our keys directly to a computer. I avoid bringing my computer on the road, and the bands I've seen with keyboards generally also don't bring their computers on the road.Bachus wrote:Well... i toight about that ... but since we all connect our keys directly to a computer... i think its more important that daws and such addapt the standard then other keyboard companies...fcoulter wrote:The new MIDI standard is only useful if it's supported by other manufacturers. If not...Bachus wrote:Is this the real innovation from this years NAMM, Roland cloud and rainlink, a new open midi like standard by Roland with 24 bit resolution?
Video in the link : http://keyszone.boards.net/thread/47/ro ... d-rainlink
I think the standard rocks tough, it supports both HD realtime data as well as low latency audio
As for connecting directly to the computer, then the computer will also need to support the new Roland super MIDI standard. Roland will need to talk Apple and Microsoft to add utilities to the Operating System, or Roland will need to create their own interface devices and drivers. And even then, the new standard will only be useful for Roland keyboards, not Korg, Yamaha, etc.
Finally, lag time between the keyboard press and the sound coming out of the computer is the result of every step in the process. The MIDI lag is hardly the biggest drag on performance. Even if you speed up that part of the communication, the other more laggy steps will still slow you down.
(My software tells me that laggy isn't spelled correctly. Maybe laggy isn't even a word. BUT IT SHOULD BE!)
Fred
Korg: Kronos2 88
Other: Tyros 5 76, DGX-650, YPT-320, Fretted Clavichord, Upright Piano, DX-7, SY-99, eMu MPS (last three in attic)
RCM Certificates: Advanced Rudiments
Korg: Kronos2 88
Other: Tyros 5 76, DGX-650, YPT-320, Fretted Clavichord, Upright Piano, DX-7, SY-99, eMu MPS (last three in attic)
RCM Certificates: Advanced Rudiments
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24 bit Midi is a solution to a problem that doesn't exist.
The day someone samples a piano at 128 velocity levels is the day we might need to move on. For now 60,000,000 steps of variation is plainly ridiculous.
(Why would you ever need more than 16 colours on a computer screen anyway?)
The day someone samples a piano at 128 velocity levels is the day we might need to move on. For now 60,000,000 steps of variation is plainly ridiculous.
(Why would you ever need more than 16 colours on a computer screen anyway?)

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Well said!Reuben wrote:24 bit Midi is a solution to a problem that doesn't exist.
VSL did a piano at 100 velocities or so. Also, Pianoteq, being fully modelled supports completely smooth velocity levels, in two flavors: regular 127 levels (remember, one level, zero, is actually "note off"!), and HD-MIDI 16383 levels (supported by some digital pianos out there like Casio PX5-S and I think Kawai VPC1, as well).Reuben wrote:The day someone samples a piano at 128 velocity levels is the day we might need to move on. For now 60,000,000 steps of variation is plainly ridiculous.
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Surely all keyboards lerp between samples using the full (7 bits) precision? Assuming so, there are aliasing and expressiveness benefits for higher precision since you'd get better interpolation - maybe not 2^24, but certainly from say 2^16?Reuben wrote: 24 bit Midi is a solution to a problem that doesn't exist.
The day someone samples a piano at 128 velocity levels is the day we might need to move on. For now 60,000,000 steps of variation is plainly ridiculous.
I can't find any decent information about Rainlink, except that it's "better than MIDI".
The great thing about MIDI is it's ubiquitous, so any replacement technology will need to be similarly ubiquitous, and work over as many different transport mediums, as MIDI for it to be "better", in my opinion.
MIDI already supports higher resolution controllers through NRPNs and RPNs. Higher resolution velocity expression is a solution to a problem I don't know exists.
What I really would like to see is a standard with better state management. For example, being able to start a sequence and have a hardware module in the exact right state at the start. This is something that's presently very cumbersome with MIDI, especially with Continuous Controllers.
The great thing about MIDI is it's ubiquitous, so any replacement technology will need to be similarly ubiquitous, and work over as many different transport mediums, as MIDI for it to be "better", in my opinion.
MIDI already supports higher resolution controllers through NRPNs and RPNs. Higher resolution velocity expression is a solution to a problem I don't know exists.
What I really would like to see is a standard with better state management. For example, being able to start a sequence and have a hardware module in the exact right state at the start. This is something that's presently very cumbersome with MIDI, especially with Continuous Controllers.
Current Equipment:
Korg Kronos 2 88, Reface CS, Roland JV-1080, TE OP1, Moog Subsequent 37, Korg ARP Odyssey, Allen & Heath Zed 18, Adam F5, MOTU MIDI Express XT, Lexicon MX200 & MPX1, Yamaha QY700, Yamaha AW16G, Tascam DP008ex, Zoom H6, Organelle, Roland J6 & JU06A
Previous: Triton LE 61/Sampling/64MB/4GB SCSI, MS2000BR, Kronos 1 61, Monotribe, NanoKontrol, NanoKeys, Kaossilator II, Casio HT3000, Roland VP-03, Reface DX, Novation Mininova, MPC One
Korg Kronos 2 88, Reface CS, Roland JV-1080, TE OP1, Moog Subsequent 37, Korg ARP Odyssey, Allen & Heath Zed 18, Adam F5, MOTU MIDI Express XT, Lexicon MX200 & MPX1, Yamaha QY700, Yamaha AW16G, Tascam DP008ex, Zoom H6, Organelle, Roland J6 & JU06A
Previous: Triton LE 61/Sampling/64MB/4GB SCSI, MS2000BR, Kronos 1 61, Monotribe, NanoKontrol, NanoKeys, Kaossilator II, Casio HT3000, Roland VP-03, Reface DX, Novation Mininova, MPC One
Roland cloud seems to even support virtuall ACB instruments and a sample based D50 engine..
Check out 2 more video's here
http://keyszone.boards.net/thread/47/ro ... rollTo=117
Check out 2 more video's here
http://keyszone.boards.net/thread/47/ro ... rollTo=117
Korg Kronos 2/88 , Genos, Mainstage3 +VSTsu, ipad pro, GSi Gemini, Roland Integra 7, Jupiter Xm, Yamaha motif XS rack, Ketron SD90.
www.keyszone.boards.net
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MIDI isn't an audio format, so aliasing isn't an issue.tim.condon wrote:Surely all keyboards lerp between samples using the full (7 bits) precision? Assuming so, there are aliasing and expressiveness benefits for higher precision since you'd get better interpolation - maybe not 2^24, but certainly from say 2^16?Reuben wrote: 24 bit Midi is a solution to a problem that doesn't exist.
The day someone samples a piano at 128 velocity levels is the day we might need to move on. For now 60,000,000 steps of variation is plainly ridiculous.
Fred
Korg: Kronos2 88
Other: Tyros 5 76, DGX-650, YPT-320, Fretted Clavichord, Upright Piano, DX-7, SY-99, eMu MPS (last three in attic)
RCM Certificates: Advanced Rudiments
Korg: Kronos2 88
Other: Tyros 5 76, DGX-650, YPT-320, Fretted Clavichord, Upright Piano, DX-7, SY-99, eMu MPS (last three in attic)
RCM Certificates: Advanced Rudiments
I store almost everything in the cloud. However, the stuff I'm actively working on is synced between the cloud and my hard drive. No internet? I've still got it readily available.eli125 wrote:wow wow this is really something but what happens if no web access or cyber attack ?
Fred
Korg: Kronos2 88
Other: Tyros 5 76, DGX-650, YPT-320, Fretted Clavichord, Upright Piano, DX-7, SY-99, eMu MPS (last three in attic)
RCM Certificates: Advanced Rudiments
Korg: Kronos2 88
Other: Tyros 5 76, DGX-650, YPT-320, Fretted Clavichord, Upright Piano, DX-7, SY-99, eMu MPS (last three in attic)
RCM Certificates: Advanced Rudiments
You still have HD versions of your samples available locally.. only when recording you will use the cloud... you can not use sounds in the cloud real time because of latencyeli125 wrote:wow wow this is really something but what happens if no web access or cyber attack ?
So when playing these sounds from your keyboard... the 8 terabyte piano is just a 2 or 3 GB piano, but its locally stored on your PC or MAC
Korg Kronos 2/88 , Genos, Mainstage3 +VSTsu, ipad pro, GSi Gemini, Roland Integra 7, Jupiter Xm, Yamaha motif XS rack, Ketron SD90.
www.keyszone.boards.net
www.keyszone.boards.net