Pa 3 X Arranger or Kronos X?
Posted: Sat May 03, 2014 6:58 pm
It's about time for me to add another instrument and I'm seriously stuck choosing between 2 candidates: a PA3 X (or other) arranger or a Kronos X.
The ultimate goal is song creation, not playing live in a venue. My thought is to have a tool that enables me to craft the bones of a song more quickly, even if I have to later transport it in some fashion to the Oasys or a Kronos at least via midi tracks in Digital Performer 8.
On the one hand, I've never had an arranger, but the concept that the backing tracks are already down and one can noodle around with developing melodies intrigues me. It's not that I can't develop backing tracks, I've been doing that for years.
What I find with the Oasys is that many ideas are sparked from Karma combies that form a suitable basis as backing which lets me focus more on adding melody.
One of the things that concern me about arrangers: is the sonic fidelity comparable to the Oasys or Kronos? I suspect not and that might be a deal breaker for me, but maybe not if I'm going to be using the midi tracks developed on the arranger in DP8 that can then drive either the O or K.
Another thing is how much variability is there in the "rhythm section" when you might want to punctuate it with gaps instead of sounding like a relentless metronome? (think more like Karma) I'm talking a top of the line unit like a Pa3x, not an entry level one.
Regarding the Kronos X, it seems to have a much larger availability to import new sounds than the Oasys does, which is always good. What I don't know is how difficult it is to combine it with the Oasys as Mike Conway has done. Have there been any significant changes in Karma on it or are significantly more Karmafied combies available for it?
I realize that at some point the Oasys will die and then I'll be forced to move to the Kronos X or whatever takes it place.
Unfortunately, I can't afford to buy both an arranger & a Kronos X at the same time.
I'd sure like to hear your thoughts on which unit to go with.
The ultimate goal is song creation, not playing live in a venue. My thought is to have a tool that enables me to craft the bones of a song more quickly, even if I have to later transport it in some fashion to the Oasys or a Kronos at least via midi tracks in Digital Performer 8.
On the one hand, I've never had an arranger, but the concept that the backing tracks are already down and one can noodle around with developing melodies intrigues me. It's not that I can't develop backing tracks, I've been doing that for years.
What I find with the Oasys is that many ideas are sparked from Karma combies that form a suitable basis as backing which lets me focus more on adding melody.
One of the things that concern me about arrangers: is the sonic fidelity comparable to the Oasys or Kronos? I suspect not and that might be a deal breaker for me, but maybe not if I'm going to be using the midi tracks developed on the arranger in DP8 that can then drive either the O or K.
Another thing is how much variability is there in the "rhythm section" when you might want to punctuate it with gaps instead of sounding like a relentless metronome? (think more like Karma) I'm talking a top of the line unit like a Pa3x, not an entry level one.
Regarding the Kronos X, it seems to have a much larger availability to import new sounds than the Oasys does, which is always good. What I don't know is how difficult it is to combine it with the Oasys as Mike Conway has done. Have there been any significant changes in Karma on it or are significantly more Karmafied combies available for it?
I realize that at some point the Oasys will die and then I'll be forced to move to the Kronos X or whatever takes it place.
Unfortunately, I can't afford to buy both an arranger & a Kronos X at the same time.
I'd sure like to hear your thoughts on which unit to go with.