2 sounds at the same time

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tommy h
Posts: 10
Joined: Sat Oct 20, 2012 11:37 am

2 sounds at the same time

Post by tommy h »

hey folks,
can someone tell me how to play 2 sounds at the same time example ; i want to play lets say just a C CHORD AND I WANT TO HEAR A PIANO WITH STRINGS IN THE BACKGROUND
csteen
Platinum Member
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Joined: Sat Dec 09, 2006 7:28 pm

Post by csteen »

Use combi mode.
There are already piano and string combis right there under the keyboard tab.

There may be other sounds but you can mute those tracks and then change the piano and strings to what ever sounds suit you the best and then mix the volumes of each on the mixer 1-8 tab..

As a matter of fact, combi A024 is called piano and strings and is already set to do what you want.
I like to go to the insert effects page and tweak things around a bit most usually to refine the sound to my liking also.
billbaker
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Post by billbaker »

csteen's got it in one.

This is super basic stuff (changing from program to combi and understanding what each mode does.)

Is there something else you're wanting to do as well as the piano string C chord such as holding that chord and playing over it with a different sound?


BB
billbaker

Triton Extreme 88, Triton Classic Pro, Trinity V3 Pro
+E-mu, Alesis, Korg, Kawai, Yamaha, Line-6, TC Elecronics, Behringer, Lexicon...
tommy h
Posts: 10
Joined: Sat Oct 20, 2012 11:37 am

Post by tommy h »

NO BILL I JUST USED THAT AS A SIMPLE EXAMPLE,I WROTE A CLASSICAL COMPOSITION ON A PIANO,YEARS AGO AND NOW IM GOING TO RECORD IT, IVE NEVER BEEN A REAL KEYBOARD PLAYER ,MY MAIN FOCUS WAS GUITAR,NOW I AM FOCUSING ON WRITING AND RECORDING,I APPRECIATE YOUR HELP VERY MUCH, THANX
TOMMY
billbaker
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Post by billbaker »

Tommy,

I think in this case that a combi will serve you better.

Piano compositions, especially, need to be able to freely use damper pedal for one - in combi mode you can make it so the piano only will be sustained and the string accompaniment doesn't get cluttered up with held notes. Strings will sustain only those notes that are actually being held (hand) vs sustained (pedal). It's a nice effect.

You may also want to make it so that the string's volume is velocity controlled. You can even layer the string sounds in such a way that a more "chamber-ish" string plays at moderate volumes (0-110) and a fuller orchestral ensemble plays at loud volumes (111-127), and you can velocity cross fade in such a way that the ensemble size grows more "natually" into a fortissimo (ff), instead of making a hard switch between the sounds at some arbitrary volume.


BB
billbaker

Triton Extreme 88, Triton Classic Pro, Trinity V3 Pro
+E-mu, Alesis, Korg, Kawai, Yamaha, Line-6, TC Elecronics, Behringer, Lexicon...
tommy h
Posts: 10
Joined: Sat Oct 20, 2012 11:37 am

Post by tommy h »

THANX BILL, THOSE ARE SOME GREAT TIPS
Randydalm
Posts: 19
Joined: Fri Aug 03, 2012 8:45 pm
Location: Netherlands

Post by Randydalm »

i think that your Caps is on :?
Gear:
- Korg M50
- Behringer FCB 1010
- M- Audio Keystation 88es
I have a very good piano module for sale: ketron klavipro.
ursamajor
Junior Member
Posts: 59
Joined: Wed Feb 09, 2011 2:44 pm
Location: The Netherlands

Post by ursamajor »

Capslock day is on october 22... ;)
http://capslockday.com/
Low frequency rulez
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