I played a Kronos!
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I played a Kronos!
Yesterday I assisted a demonstration of Kronos by Raffaele Mirabella of Korg Italy in Cherubini music store in Rome, Italy. Mirabella is very nice and he did a wonderful long presentation. He played a lot of programs and combis, I really appreciated the sonic arsenal of Kronos.
Unfortunately the speakers attached to Kronos were quite cheap, but also with them it was possible to listen well all the parts of a combi/song.
I also had the possibility to play a little the Kronos with my reference headphone and personally taste the quality of sounds. It was a 61 keys model (serial number #15), the same tested by Ozy and Dannyboy.
Cabinet/control surface: externally it looks like a modern version of M1. I liked it, with the exception of plastic sides. The surface controls woks well but their quality could be better, they are really far from Oasys quality. The keybed is very good, I hope it will be same on mass production units.
Display: in my personal opinion the resolution of display is too high for its size. It is difficult to read and in some case also to operate, ie make a selection. The reading angle is not optimal if you are seat, or at least if you are not very tall like me. Display is the weakest part of Kronos.
SGX-1 Acoustic/EP-1 electric pianos: these are the best sounds of Kronos! Really beautiful, expressive and with an incredible dynamic. I can buy a Kronos only for them. User interface is very well done.
CX-3 Tonewheel Organ: I don’t know if it is the best on the market but I liked its sound and how you can control it from surface controls.
STR-1 Plucked String Synthesizer: I listened a very good clavinet, an incredible harpsichord, and some very interesting futuristic sounds.
MOD-7 Waveshaping VPM Synthesizer: It seems to have a lot of synthesis power and it can do wonderful sounds far beyond DX7.
MS-20EX/PolysixEX: Very characteristic and with a very nice user interface.
AL-1 Analog Synthesizer: It sounds reach, aggressive and also warm. It is not my Andromeda but I liked it very much.
HD-1 High Definition Synthesizer: it is very powerful and there are lots of sounds. It covers almost everything. Samples sounds quality goes from wonderful, like some drumkits, to normal. I had also a quick look to the Brass and when I played them they seems not exceptional, but I’m not a good player and rarely play brasses. When I asked to Mirabella to test brasses everything changed, he did really beautiful and good sounding demos of various presets.
Karma: I liked it very much and for me is one main reason to buy a Kronos. It is sad that to have Karma 3.0 you must have a Motif, and buy the PC software from Karmalab. I hope it will included in an upgrade of Kronos OS.
Availability/Estimated prices: In Italy should be available in June. List prices will be announced at Musikmesse and should be about: 61 keys € 3.300; 73 keys € 3.600, 88 keys € 3.900. Keep in mind that these prices are only indicative.
-massimo
Unfortunately the speakers attached to Kronos were quite cheap, but also with them it was possible to listen well all the parts of a combi/song.
I also had the possibility to play a little the Kronos with my reference headphone and personally taste the quality of sounds. It was a 61 keys model (serial number #15), the same tested by Ozy and Dannyboy.
Cabinet/control surface: externally it looks like a modern version of M1. I liked it, with the exception of plastic sides. The surface controls woks well but their quality could be better, they are really far from Oasys quality. The keybed is very good, I hope it will be same on mass production units.
Display: in my personal opinion the resolution of display is too high for its size. It is difficult to read and in some case also to operate, ie make a selection. The reading angle is not optimal if you are seat, or at least if you are not very tall like me. Display is the weakest part of Kronos.
SGX-1 Acoustic/EP-1 electric pianos: these are the best sounds of Kronos! Really beautiful, expressive and with an incredible dynamic. I can buy a Kronos only for them. User interface is very well done.
CX-3 Tonewheel Organ: I don’t know if it is the best on the market but I liked its sound and how you can control it from surface controls.
STR-1 Plucked String Synthesizer: I listened a very good clavinet, an incredible harpsichord, and some very interesting futuristic sounds.
MOD-7 Waveshaping VPM Synthesizer: It seems to have a lot of synthesis power and it can do wonderful sounds far beyond DX7.
MS-20EX/PolysixEX: Very characteristic and with a very nice user interface.
AL-1 Analog Synthesizer: It sounds reach, aggressive and also warm. It is not my Andromeda but I liked it very much.
HD-1 High Definition Synthesizer: it is very powerful and there are lots of sounds. It covers almost everything. Samples sounds quality goes from wonderful, like some drumkits, to normal. I had also a quick look to the Brass and when I played them they seems not exceptional, but I’m not a good player and rarely play brasses. When I asked to Mirabella to test brasses everything changed, he did really beautiful and good sounding demos of various presets.
Karma: I liked it very much and for me is one main reason to buy a Kronos. It is sad that to have Karma 3.0 you must have a Motif, and buy the PC software from Karmalab. I hope it will included in an upgrade of Kronos OS.
Availability/Estimated prices: In Italy should be available in June. List prices will be announced at Musikmesse and should be about: 61 keys € 3.300; 73 keys € 3.600, 88 keys € 3.900. Keep in mind that these prices are only indicative.
-massimo
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Re: I played a Kronos!
I never understand music stores which sell keyboards which are attached to crappy monitors. Crazy. In fact most stores that I deal with have only one audio cable running out from each keyboard, so of course any stereo program really sounds bad. I guess they really don't care about making a good impression. Korg should bring their own monitors and amp along with the Kronos, and not be so much at the mercy of what the store has to offer for audio. (I've read other posts about Kronos demos on less-than-capable monitors).massca wrote:Yesterday I assisted a demonstration of Kronos by Raffaele Mirabella of Korg Italy in Cherubini music store in Rome, Italy. Mirabella is very nice and he did a wonderful long presentation. He played a lot of programs and combis, I really appreciated the sonic arsenal of Kronos.
Unfortunately the speakers attached to Kronos were quite cheap, but also with them it was possible to listen well all the parts of a combi/song.
I agree with you. In an ideal world the demonstrator should be carry also a very good pair of monitors and place them in a good position in the hall. Unfortunately, as often happens when you play live, you have to use the PA available in the venue, and often is less than ideal.
When I want do a serious test of a keybord I bring with me my headphone, to be shure that the sound it not influenced by external factors.
In this case I'm shure that Kronos souds well also with a cheap PA. This is not true for other keyboards
When I want do a serious test of a keybord I bring with me my headphone, to be shure that the sound it not influenced by external factors.
In this case I'm shure that Kronos souds well also with a cheap PA. This is not true for other keyboards

- KapnKrunch
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Re: I played a Kronos!
Is there a contrast or other display adjustment? If so, did you have a chance to tweak it?massca wrote: Display: in my personal opinion the resolution of display is too high for its size. It is difficult to read and in some case also to operate, ie make a selection. The reading angle is not optimal if you are seat, or at least if you are not very tall like me. Display is the weakest part of Kronos.
- Citizen Klaus
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Re: I played a Kronos!
Contrast adjustment is accessible through a menu in Global mode.KapnKrunch wrote:Is there a contrast or other display adjustment? If so, did you have a chance to tweak it?massca wrote: Display: in my personal opinion the resolution of display is too high for its size. It is difficult to read and in some case also to operate, ie make a selection. The reading angle is not optimal if you are seat, or at least if you are not very tall like me. Display is the weakest part of Kronos.
- KapnKrunch
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Re: I played a Kronos!
Interesting. Given this, I would suspect the display was simply mis-adjusted for massca, and it's not really a problem per se.Citizen Klaus wrote:Contrast adjustment is accessible through a menu in Global mode.KapnKrunch wrote:Is there a contrast or other display adjustment? If so, did you have a chance to tweak it?massca wrote: Display: in my personal opinion the resolution of display is too high for its size. It is difficult to read and in some case also to operate, ie make a selection. The reading angle is not optimal if you are seat, or at least if you are not very tall like me. Display is the weakest part of Kronos.
This was the first thing I thought after I had a problem with my M3 display (got it replaced) - there won't ever be a touchscreen good enough for everyone and since devices like Kronos are built around PC platform I can not understand what is the problem adding second VGA|DVI|LVDS port + USB for external touchscreen - these are available many different sizes an some also with multitouch support. Would such second display port add more than 50-100$ to retail price?Display: in my personal opinion the resolution of display is too high for its size. It is difficult to read and in some case also to operate, ie make a selection. The reading angle is not optimal if you are seat, or at least if you are not very tall like me. Display is the weakest part of Kronos.
KapnKrunch:
The Kronos I tested was under a strong fluorescent light, for shure it wasn't the ideal illumination. Probably with the right illumination and with a personal calibration it will be more easy to read.
But for me screen fonts are so little that are difficult to read. I'm mid age, probably a young guy with perfect sight will not have any problem.
I think that if Korg kept the same resolution of the Oasys (640x480) display will be more readable for me.
You have to try personally. I'll do the same when Kronos will be available in the store.
gjvti:
Adding a touch display out could a solution for someone. Not for me because I have little space in my studio.
The Kronos I tested was under a strong fluorescent light, for shure it wasn't the ideal illumination. Probably with the right illumination and with a personal calibration it will be more easy to read.
But for me screen fonts are so little that are difficult to read. I'm mid age, probably a young guy with perfect sight will not have any problem.
I think that if Korg kept the same resolution of the Oasys (640x480) display will be more readable for me.
You have to try personally. I'll do the same when Kronos will be available in the store.
gjvti:
Adding a touch display out could a solution for someone. Not for me because I have little space in my studio.
Re: I played a Kronos!
well, it's the third review in 15 days, all from Italy, and all of us noticed the same issueKapnKrunch wrote:Interesting. Given this, I would suspect the display was simply mis-adjusted for massca, and it's not really a problem per se.massca wrote: Display: in my personal opinion the resolution of display is too high for its size. It is difficult to read and in some case also to operate, ie make a selection. The reading angle is not optimal if you are seat, or at least if you are not very tall like me. Display is the weakest part of Kronos.
either the demonstrator knew that, had the time of adjusting, and didn't want to (shame)
or we have a problem there.
- Akos Janca
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Massimo (Ozy, Dannyboy) thank you for the detailed report.
Optimistic point of view: they wanted to prove that Kronos is still usable well in average circumstances - weak speakers, fluorescent light, uncalibrated screen.

Seriously, the weak speakers are just ridiculous. Especially in this rare situation - when there is a very short time, months before shipping, to hear and personally try this unique instrument. I can't believe Korg or the stores cannot bring the best available PA system there, a Meyer Sound for example, to demonstrate Kronos live. (It reminds me one of the first OASYS demos in Frankfurt - Steve McNally was superb! - where the projector screen literally obstructed the sound coming from the speakers to a part of the audience…
I just don't understand these shameful situations.)
Somebody should try the contrast settings to optimize the display view for sitting. (But I really believe/hope this shouldn't be a problem with a Korg.)
Maybe the display resolution is for the younger.
(OASYS users are mostly a little bit older people with enough experience, delicate taste, higher demands and of course money to be able to buy such an instrument.) And the problem mustn't be high resolution itself, on the contrary, it's good, because the graphic elements will appear smoother. The problem can be the real size of elements - regardless of the resolution. Important: can we read the texts, can we touch the buttons/areas, can we operate the instrument easily?
As an OASYS user I want to try and compare Kronos personally - I hope we will have the chance like in Italy. I mean A to B comparison, side by side. With good monitors and headphones in a calm room at least for one hour. Regardless of the specs I want to hear it with my ears, play it with my hands. Only then I will be able to decide which is better for me. (Maybe there are other reasons of the lower price?)
Certainly, for anybody else Kronos will be the best workstation from now on. Nothing compares to it.
Optimistic point of view: they wanted to prove that Kronos is still usable well in average circumstances - weak speakers, fluorescent light, uncalibrated screen.


Seriously, the weak speakers are just ridiculous. Especially in this rare situation - when there is a very short time, months before shipping, to hear and personally try this unique instrument. I can't believe Korg or the stores cannot bring the best available PA system there, a Meyer Sound for example, to demonstrate Kronos live. (It reminds me one of the first OASYS demos in Frankfurt - Steve McNally was superb! - where the projector screen literally obstructed the sound coming from the speakers to a part of the audience…

Somebody should try the contrast settings to optimize the display view for sitting. (But I really believe/hope this shouldn't be a problem with a Korg.)
Maybe the display resolution is for the younger.

As an OASYS user I want to try and compare Kronos personally - I hope we will have the chance like in Italy. I mean A to B comparison, side by side. With good monitors and headphones in a calm room at least for one hour. Regardless of the specs I want to hear it with my ears, play it with my hands. Only then I will be able to decide which is better for me. (Maybe there are other reasons of the lower price?)
Certainly, for anybody else Kronos will be the best workstation from now on. Nothing compares to it.
Last edited by Akos Janca on Sat Mar 12, 2011 12:23 pm, edited 1 time in total.
right.Akos Janca wrote:Optimistic point of view: they wanted to prove that Kronos is still usable well in average circumstances - weak speakers, fluorescent light, uncalibrated screen.![]()
They could have machine-gunned two inches above our heads, though.
For more realistic on-the-field testing, you know...
I missed that, as well as the warm-up push-ups.
[you forgot mentioning that in one Italian demo, the keyboard stand crumbled and the demonstrator showed that you can grab the falling kronos with your hands before it crashes, and still not need wrist surgery


don't ever mention that againAkos Janca wrote:Maybe the display resolution is for the younger.![]()

I need "reading glasses" for finding the "main out" fader on the mixer...



Next stop: diapers.
- Akos Janca
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ozy wrote:...in one Italian demo, the keyboard stand crumbled and the demonstrator showed that you can grab the falling kronos with your hands before it crashes, and still not need wrist surgery![]()

Although, it may happen to all of us... Good news that the Kronos is not so heavy.
Sounds sad first, but don't worry. Some others simply can't see at all, still play great music, Stevie Wonder, for example.ozy wrote:don't ever mention that againAkos Janca wrote:Maybe the display resolution is for the younger.![]()
![]()
I need "reading glasses" for finding the "main out" fader on the mixer...![]()
![]()
(Have you seen Nick Vujicic? Google him.)
- Akos Janca
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(If you've seen him, you know. He is not blind. On the contrary, he SEES better than many others.)
Lesson for us: to find the solutions, the way of happiness, also in "worse" circumstances.
You know, the "half-full glass" thinking. It's hard I know.
You can't see the master level slider well enough? Not the best news but you still CAN see, you HAVE a master level slider, and you HAVE time and gear to play music, and you HAVE motivation, inspiration etc.
And certainly you HAVE glasses - no real problem then.
Back to topic: If Kronos screen elements are too small - for you or for me - then we HAVE a problem. Solution for us: trying to use a stylus, a pencil, or finally using another instrument. I wouldn't kill myself for that...
If many people will complain or dislike the screen, Korg still can redesign the GUI.
Lesson for us: to find the solutions, the way of happiness, also in "worse" circumstances.
You know, the "half-full glass" thinking. It's hard I know.
You can't see the master level slider well enough? Not the best news but you still CAN see, you HAVE a master level slider, and you HAVE time and gear to play music, and you HAVE motivation, inspiration etc.
And certainly you HAVE glasses - no real problem then.
Back to topic: If Kronos screen elements are too small - for you or for me - then we HAVE a problem. Solution for us: trying to use a stylus, a pencil, or finally using another instrument. I wouldn't kill myself for that...

If many people will complain or dislike the screen, Korg still can redesign the GUI.
- KapnKrunch
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Indeed. Perhaps a future feature like some DAW plugins offer that give you some control over font sizes, for example.Akos Janca wrote: If many people will complain or dislike the screen, Korg still can redesign the GUI.
I'm not holding my breath though, and I'm polishing my reading glasses
