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Posted: Thu Aug 23, 2012 10:12 am
by Laste7
it depends really on the country, you are living in.
For the Germans: here is an interesting link about the situation in germany:
http://www.musikgutachter.de/samples.html
Posted: Thu Aug 23, 2012 10:16 am
by michelkeijzers
.Jens wrote:DocBambs wrote:
The original is at A1. At what point does copyright not apply?
It's quite simple: copyright applies in
all of these cases. You made all pictures by the use of a copyrighted picture.
If you add some own artistic content by modifying the picture, you might also yield
additional copyrights regarding your modification. But still the copyright holder of the original has the right to prohibit the distribuition, because his copyright is still affected.
That is quite simple.
The only point where it becomes "gray" is that it will be difficult to impossible to definitely verify that a certain original has been used - in a lawsuit for example. If one takes a clean guitar sample and redistributes a heavily distorted and processed version of it - that would still be illegal, but if there's no claimant, there's no judge, because no-one will be able to tell, which original sample has been used, unless they search your rooms for evidence.
But what about creating songs from the waveforms in a Korg? This is of course what everybody does and not prohibited by Korg.
On the other hand, what if you use the raw waveforms to create music?
Posted: Thu Aug 23, 2012 10:53 am
by neomad
Boring & prosy.
Akai discs as SOV can be considered abandonware because is out of stock worldwide... so what's the problem???
If you want, I'll open my site to whole downloads. I'm in France and I'm not afraid of law. I'm not making money with...
Posted: Thu Aug 23, 2012 11:19 am
by Laste7
.Jens wrote:
If one takes a clean guitar sample and redistributes a heavily distorted and processed version of it - that would still be illegal, but if there's no claimant, there's no judge, because no-one will be able to tell, which original sample has been used, unless they search your rooms for evidence.
No, sorry, this would be not illegal (by german law).
The main thing is, if the sample is worth being protected. To be this, a sample has to be individual (beside some other criterias), and I am pretty sure, that this is not valid for a clean guitar or a piano sound. A complex sample with an own charakter (like an atmospheric sound) could be handled in an other way.
But also, if something is unique, it doesnt mean automaticly that it is protected. (if it would be protected, I would calculate every possible melody and when a song is coming out, I just put them to court to get money because of my copyrights <-- just valid for the german market, we do not have to register to get the copyright, we just have to proove that we had the idea as the first)
Neomad: Please do this, but please consider, that copyrights are valid in Europe for 70 years, have nothing to do with a "out of stock" situation nor that you are making money with it. But thanks for the offer to take the risks

Posted: Thu Aug 23, 2012 11:32 am
by .Jens
DocBambs wrote:
Interesting. In the case of modification, can I credit the original copyright holder?
That is the least thing you
should do. But that will be not sufficient normally - you need the explicit permission to redistribute the samples - as samples.
As I said, for almost every instrument relying on samples, for commercial sample packs and software instruments, the license conditions allow the usage in songs explicitely. But not more...
Another "shade of gray" would certainly apply, if someone "composes" a "song" consisting only of a chromatic scale played
very slowly and in different attack velocities... But if you set track marks and loop points to this "song" you would definitely leaving the gray zone and enter the deep black one...
Album covers often list libraries among the "instruments" used in the making of albums, so that suggests there are some approaches available.
Again: the usage in a song is
normally allowed. If it's for commercial distribution, slightly different license conditions may apply - e.g. paying an extra license fee and/or credit the copyright owner. In most cases I think these credits are matching some kind of endorsement deal, though.
Posted: Thu Aug 23, 2012 11:46 am
by .Jens
Laste7 wrote:.Jens wrote:
If one takes a clean guitar sample and redistributes a heavily distorted and processed version of it - that would still be illegal, but if there's no claimant, there's no judge, because no-one will be able to tell, which original sample has been used, unless they search your rooms for evidence.
No, sorry, this would be not illegal (by german law).
Be sure, it is. --> see below.
The main thing is, if the sample is worth being protected. To be this, a sample has to be individual (beside some other criterias), and I am pretty sure, that this is not valid for a clean guitar or a piano sound. A complex sample with an own charakter (like an atmospheric sound) could be handled in an other way.
I think you are confusing two different kinds of copyright. I am not sure about the appropriate english terms. I think it's "copyright" (german: Urheberrecht - applies to the lyrics/composition of a song) vs. "ancillary copyright" (german: Leistungsschutzrecht - applies to a specific recording of that song).
An audio recording (including samples) is not protected the same way and extent as a composition, but on the other hand, there is no threshold (as for songs) regarding "originality" or "individuality".
The situation is different if you sample a short piece out a song, for example. In this case, everything you said applies: Then it depends on the question if the sampled detail is individual enough to be covered by copyright law.
But redistributing a sample library as a whole is different in so far as it conflicts with the "Leistungsschutzrecht" (and I am sure this is similar in other countries) of the producers of the sample library. This is already a complete work - not in the sense of "Urheberrecht", though...
IANAL, but that's more or less the way it is...
Posted: Thu Aug 23, 2012 11:59 am
by Laste7
Hi Jens,
no, it is not

I am not speaking about a riff, melody or a complete sampling library. I just answered to the part with the clean guitar. No judge in germany will punish you, because of sampling a clean guitar as this is not worth the protection. But of course, this has to be clearified by an judge in a specific situation. So you and me could be right, but I just mean, I am pretty sure, not getting punished for sampling a clean guitar sound. So that something I would do.
The post was just linked to that part of your post.
Of course it is a conflict with the Leistungsschutzrecht by sampling a complete library, but as I sad before, that was not part of my post

Posted: Thu Aug 23, 2012 12:00 pm
by MRedZac
Well, I´m quite sure, if you resample the sample libary with slight changes, for example, with a kind of effect, then show me the one who can proof, that this sample was taken from another sample libary... Maybe for certain kind of spheric sounds, yes, but not for a simple upright piano...
Posted: Thu Aug 23, 2012 12:04 pm
by .Jens
Laste7 wrote:I just answered to the part with the clean guitar. No judge in germany will punish you, because of sampling a clean guitar as this is not worth the protection.
Sampling of the clean guitar is of course completely legal. I was talking about the case where you take an already sampled clean guitar (e.g. an AKAI CD with sampled guitars) and redistribute the samples in a different data format - or distorting them and distributing them afterwards.
Of course it is a conflict with the Leistungsschutzrecht by sampling a complete library, but as I sad before, that was not part of my post

That's what this whole thread is about: re-sampling of complete libraries. I thought you had recognized this...
Posted: Thu Aug 23, 2012 12:09 pm
by .Jens
MRedZac wrote:Well, I´m quite sure, if you resample the sample libary with slight changes, for example, with a kind of effect, then show me the one who can proof, that this sample was taken from another sample libary... Maybe for certain kind of spheric sounds, yes, but not for a simple upright piano...
As I said above: That's true. It would be still illegal to do so without permission, but hard to prove without more evidence than the final product.
But: If you listen to the upright posted here some days ago: even with a different EQ and slight distortion an expert would recognize the sample again from facts like certain notes being slightly detuned, some are more damp than others etc.
You would have to take much more effort in alienating the sound, like a really heavy distortion, some chorus and additional reverb, for example...
Posted: Thu Aug 23, 2012 12:11 pm
by Laste7
Jens,
you wrote in your post "If one takes a clean guitar sample and redistributes a heavily distorted and processed version of it - that would still be illegal", which is wrong. No need to get angry because of a correction. My post was just referred to that part, that why i quoted just that part, I thought you recognized this We should stop it at this point, as it is boring for the others...
Posted: Thu Aug 23, 2012 12:42 pm
by Ojustaboo
It gets seriously complicated the more anyone looks into this.
It appears that in England, I as a personal user, can download any copyrighted material off the web I choose to without paying a penny for it, and as long as I don't upload it, sell it etc, I have not committed any kind of criminal offence and it is impossible to get a criminal record by doing so.
That is what the law appears to say, it's a civil matter, not a criminal one. The owner can choose to take me to court if they wish just like I can take my neighbour to court if I think their fence is too high etc.
The Copyright, Designs and Patents Act 1988, as amended by the Copyright and Trade Marks (Offences and Enforcement) Act 2002, currently protects copyrighted materials. People who download copyrighted recordings without permission face civil actions. Downloading can also constitute a criminal offence if the downloader distributes the material.
Posted: Thu Aug 23, 2012 12:53 pm
by vstkeys
OMFG, here we go again another page full of discussion that will never end.
My point of view is: Korg Kronos has been out on the market for over a year now hasn't it?
So, Why these "companies" didn't start working on releasing their libraries for kronos?? Why???
Now someone tired of waiting for another year went ahead and converted the files. Bad luck I would say to them.
So, hey "supposelly" emailed a complain to the forum? ...very strange.
Anyway , as I said in the past and continue saying this is the price of greedy ...... If this companies really cared they would have produced libraries for kronos long time ago. Discussing about legal stuff is a wast of time since we are all from different countries with different laws, salaries, etc.
I pretty sure must of us would happly buy these libraries if they were released for kronos and priced fairly .
Posted: Thu Aug 23, 2012 1:06 pm
by jerrythek
Posted: Thu Aug 23, 2012 1:08 pm
by jerrythek
vstkeys wrote:OMFG, here we go again another page full of discussion that will never end.
My point of view is: Korg Kronos has been out on the market for over a year now hasn't it?
So, Why these "companies" didn't start working on releasing their libraries for kronos?? Why???
Now someone tired of waiting for another year went ahead and converted the files. Bad luck I would say to them.
So, hey "supposelly" emailed a complain to the forum? ...very strange.
Anyway , as I said in the past and continue saying this is the price of greedy ...... If this companies really cared they would have produced libraries for kronos long time ago. Discussing about legal stuff is a wast of time since we are all from different countries with different laws, salaries, etc.
I pretty sure must of us would happly buy these libraries if they were released for kronos and priced fairly .
I agree, let's all steal all the samples we can from the companies that aren't supporting the Kronos - shame on them for not supporting us!
Jerry