Thank you Charles,Liviou2004 wrote:[q
The second big innovation is a departure from the more static Wavesequences you find in the Kronos, which are set in a single lane loop. With the aptly named "Wavesequencing 2.0" you get to break up attributes polyrhythmically for more dynamic/evolving performance. Attributes are divided into lanes each with their own step length. So you won't get the same attributes looping at the same rate. Patterns only repeat on the least common multiple for all lanes involved so with six or seven attribute lanes all having different step lengths you can potentially have a least common multiple of such an astronomically high number that you're liable to never run into a repetition!
Korg also thought about how that might be problematic and offer a Master lane that can reset all lanes after a specified number of beats in order to tame some randomness. And not all lanes have to adhere to the Master lane! It's a very different little monster and people who get really into it are going to end up thinking about their synthesis sound design in a very different way from the many wavetable synths that have been hitting the market.
Sorry but I don't see any enchancement from HD-1. As you can stack several wavesequences, (in particular in Combi mode) each one with its own rythm pattern, modulate each start point as you wish, creating random triggers in GATE mode with Karma, etc...I don't see where could be the enhancement.
Of course, as you have played on it and as you master the Kronos very well, I can just trust you ! But for what I heard in the different videos and sonic example I don't heard something the Kronos couldn't perform.
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I was also considering how close Kronos engines could match what Wav state offers.
As we know, wavseqs in Kronos are resource hungry. And I think there is a limit on how many that can be saved/stored on Kronos.
Lets consider the resources behind the scenes with Wav state:
"Wavestate promises a second-generation wave sequencing engine, deep modulation capabilities, 64 notes of polyphony and the option to use 14 effects simultaneously. Inside, there’s 6GB of PCM driving 700 sounds and 240 performances; there are also 1,000 Wavesequences and storage for more than 10,000 performances."
My take is Kronos could capture a % of this. Once you create custom combis' as you mention, how soon would you hear clicks and pops ?
It would be a good experiment