Is KP3/KPRO the only/best product for live sync looping.....
Moderators: Sharp, X-Trade, Pepperpotty, karmathanever
Actually, your point is the exact reason of my original post which created this topic many months ago. I now see, in reflection, that I inadvertently exchanged the word Beats for Bars....thus your confusion. Again, my apologies.
However, the point remains the same....to be the ultimate looper solution, KP3 or KPRO would need to generate 32 beats, especially at tempos below 100. It appears there IS NO product on the market that can do this with the the simplicity of KP3/KRPO. The closest I could find is the Soundbite Micro...which does allow for 32 beats using the similar Pad looping system of KP3....but its midi implementation is crippled, making it almost unusable for me. So....now, to get longer sample times, you need to look at full fledged loopers, which have no where near the simplicity of U.I. as the KP3/KRPO. Nor do most of them have the Sync stability....which is saying something compared to a KPRO! The best for me at this time is the Looperlative LP-1. A recent software updated made its sync very good...not perfect....but very good and at least as good as KP3. However....its a $1200 solution, and I believe its out of production at this time.
Why this technology is not better produced and implemented is beyond me. In my way of composing, there would be a full fledged looper, ala KP3 with more sample time, built into every Keyboard workstation....its just THAT fundamental to composing and performing for me! I don't think everyone has fully explored the depths of looping this way.....if done right.....it essentially creates Ableton Live ITB. Love it!
However, the point remains the same....to be the ultimate looper solution, KP3 or KPRO would need to generate 32 beats, especially at tempos below 100. It appears there IS NO product on the market that can do this with the the simplicity of KP3/KRPO. The closest I could find is the Soundbite Micro...which does allow for 32 beats using the similar Pad looping system of KP3....but its midi implementation is crippled, making it almost unusable for me. So....now, to get longer sample times, you need to look at full fledged loopers, which have no where near the simplicity of U.I. as the KP3/KRPO. Nor do most of them have the Sync stability....which is saying something compared to a KPRO! The best for me at this time is the Looperlative LP-1. A recent software updated made its sync very good...not perfect....but very good and at least as good as KP3. However....its a $1200 solution, and I believe its out of production at this time.
Why this technology is not better produced and implemented is beyond me. In my way of composing, there would be a full fledged looper, ala KP3 with more sample time, built into every Keyboard workstation....its just THAT fundamental to composing and performing for me! I don't think everyone has fully explored the depths of looping this way.....if done right.....it essentially creates Ableton Live ITB. Love it!
http://soundcloud.com/ronf-3/sets/ronf-music
https://www.youtube.com/channel/UCr1zAK ... LQZrUYGPQA
Favorite Gear: Kronos 61, M3, Z1, Radias, KPro, KP3, Moog Voyager, Foogers, Virus TI, Jupiter 80, Integra7, GAIA, SPD-30, Kiwi 106, RE-201, MC808, RC505, MV8800, DSI P6 and OB6 and P12, Ensoniq SQ80, EMU MP-7, Eventide H7600, Eclipse, SPACE, Pitchfactor, Timefactor, Looperlative LP-1, Axe FX Ultra, Nord Modular, DSI Tetra, Tempest, PEK, JDXA, Eurorack Modular, Octatrack, MDUW, Monomachine, A4, RYTM, Waldorf Q Phoenix, MWXTk, Blofeld, TR8.
https://www.youtube.com/channel/UCr1zAK ... LQZrUYGPQA
Favorite Gear: Kronos 61, M3, Z1, Radias, KPro, KP3, Moog Voyager, Foogers, Virus TI, Jupiter 80, Integra7, GAIA, SPD-30, Kiwi 106, RE-201, MC808, RC505, MV8800, DSI P6 and OB6 and P12, Ensoniq SQ80, EMU MP-7, Eventide H7600, Eclipse, SPACE, Pitchfactor, Timefactor, Looperlative LP-1, Axe FX Ultra, Nord Modular, DSI Tetra, Tempest, PEK, JDXA, Eurorack Modular, Octatrack, MDUW, Monomachine, A4, RYTM, Waldorf Q Phoenix, MWXTk, Blofeld, TR8.
Nobody has mentionned it, but, Ronf, you also have the octatrack, which seems to be a very interesting hardware sampler and looper, to my opinion.
There are also old harware samplers, that you can get for a few amount of money by these days (I bought an EMU E5400 for 200 euros, so you can get 3 of them for the price of an iphone)
There are also old harware samplers, that you can get for a few amount of money by these days (I bought an EMU E5400 for 200 euros, so you can get 3 of them for the price of an iphone)
di - soundcloud.com/BerimbauJack
Price not withstanding....I would like to know more about the Octatrack as it relates to real time looping, ala KAOSS style.
The thing about KP3 and KPRO...is the instant real time looping for live performance that is just so easy, its pretty much flawless. Once you have set the tempo and beats-per-loop (typically 16, the max in KP3) for a song....all we need to do is press the sample Pad in time with the music......and Done! Everything happens seamlessly and automatically. Just about every other looper I have tried requires you to, in real time, make strategic button or pedal presses to set the loop-end in sync with the music. This leads to invariable sync errors and mis-fires. The KP3 is really bullet-proof in this regard for real time performance.
Don't know much about the Octatrack....but I would love to hear more about its real time looping capabilities!.....
The thing about KP3 and KPRO...is the instant real time looping for live performance that is just so easy, its pretty much flawless. Once you have set the tempo and beats-per-loop (typically 16, the max in KP3) for a song....all we need to do is press the sample Pad in time with the music......and Done! Everything happens seamlessly and automatically. Just about every other looper I have tried requires you to, in real time, make strategic button or pedal presses to set the loop-end in sync with the music. This leads to invariable sync errors and mis-fires. The KP3 is really bullet-proof in this regard for real time performance.
Don't know much about the Octatrack....but I would love to hear more about its real time looping capabilities!.....
http://soundcloud.com/ronf-3/sets/ronf-music
https://www.youtube.com/channel/UCr1zAK ... LQZrUYGPQA
Favorite Gear: Kronos 61, M3, Z1, Radias, KPro, KP3, Moog Voyager, Foogers, Virus TI, Jupiter 80, Integra7, GAIA, SPD-30, Kiwi 106, RE-201, MC808, RC505, MV8800, DSI P6 and OB6 and P12, Ensoniq SQ80, EMU MP-7, Eventide H7600, Eclipse, SPACE, Pitchfactor, Timefactor, Looperlative LP-1, Axe FX Ultra, Nord Modular, DSI Tetra, Tempest, PEK, JDXA, Eurorack Modular, Octatrack, MDUW, Monomachine, A4, RYTM, Waldorf Q Phoenix, MWXTk, Blofeld, TR8.
https://www.youtube.com/channel/UCr1zAK ... LQZrUYGPQA
Favorite Gear: Kronos 61, M3, Z1, Radias, KPro, KP3, Moog Voyager, Foogers, Virus TI, Jupiter 80, Integra7, GAIA, SPD-30, Kiwi 106, RE-201, MC808, RC505, MV8800, DSI P6 and OB6 and P12, Ensoniq SQ80, EMU MP-7, Eventide H7600, Eclipse, SPACE, Pitchfactor, Timefactor, Looperlative LP-1, Axe FX Ultra, Nord Modular, DSI Tetra, Tempest, PEK, JDXA, Eurorack Modular, Octatrack, MDUW, Monomachine, A4, RYTM, Waldorf Q Phoenix, MWXTk, Blofeld, TR8.
Re the Octatrack vs. the KP3:
I use both for live looping, but they're very different beasts.
For instant quick gratification, the KP3, *for now*, still has the edge IMHO. The quick button combination necessary to snag a loop live with the KP3 is much faster than the Octatrack's procedure, which usually requires that I normalize the sample manually if I want it to mesh seamlessly in terms of volume with everything else I have going on. It's only a couple of extra steps, and there are probable other users who would think it just as easy with practice, but if I need to make a transition and have other things to think about, I'll still reach for the KP3.
With all that said, if I want the captured loop to play in sync with the rest of the groove for more than a minute or two, I'd choose the OT. The KP3's MIDI sync issues mean I have to fade the captured loop out reasonably soon if I'm playing beat-heavy material (which I usually am). I find Elektron gear's timing is so rock solid that I can leave the OT and Machinedrum playing for an hour or more without MIDI sync and they never drift.
It's also important to remember that the OT's OS is still being improved, and I have heard rumors that Elektron will be implementing a far quicker method of live loop capture with future OS updates. Anybody's guess when/whether that will happen.
Hope that helps!
I use both for live looping, but they're very different beasts.
For instant quick gratification, the KP3, *for now*, still has the edge IMHO. The quick button combination necessary to snag a loop live with the KP3 is much faster than the Octatrack's procedure, which usually requires that I normalize the sample manually if I want it to mesh seamlessly in terms of volume with everything else I have going on. It's only a couple of extra steps, and there are probable other users who would think it just as easy with practice, but if I need to make a transition and have other things to think about, I'll still reach for the KP3.
With all that said, if I want the captured loop to play in sync with the rest of the groove for more than a minute or two, I'd choose the OT. The KP3's MIDI sync issues mean I have to fade the captured loop out reasonably soon if I'm playing beat-heavy material (which I usually am). I find Elektron gear's timing is so rock solid that I can leave the OT and Machinedrum playing for an hour or more without MIDI sync and they never drift.
It's also important to remember that the OT's OS is still being improved, and I have heard rumors that Elektron will be implementing a far quicker method of live loop capture with future OS updates. Anybody's guess when/whether that will happen.
Hope that helps!
EMX-1, KP3, MachineDrum UW+, Octatrack, FCB-1010 Pedal, Mackie PA, Taylor T5
http://dubathonic.bandcamp.com/
http://dubathonic.bandcamp.com/
That's great info...thank you!
So, as side from the normalizing and potential volume matching issues.....is the actual capture of the loop as immediate as KP3? I am particularly interested in if you can preset the loop length so that the capture begins and ends, in sync time, automatically, as it does on the KP3. And then, can it do 32 beats this way? Lastlly, and I doubt it, can it do sound-on-sound looping similar to KPRO?
So, as side from the normalizing and potential volume matching issues.....is the actual capture of the loop as immediate as KP3? I am particularly interested in if you can preset the loop length so that the capture begins and ends, in sync time, automatically, as it does on the KP3. And then, can it do 32 beats this way? Lastlly, and I doubt it, can it do sound-on-sound looping similar to KPRO?
http://soundcloud.com/ronf-3/sets/ronf-music
https://www.youtube.com/channel/UCr1zAK ... LQZrUYGPQA
Favorite Gear: Kronos 61, M3, Z1, Radias, KPro, KP3, Moog Voyager, Foogers, Virus TI, Jupiter 80, Integra7, GAIA, SPD-30, Kiwi 106, RE-201, MC808, RC505, MV8800, DSI P6 and OB6 and P12, Ensoniq SQ80, EMU MP-7, Eventide H7600, Eclipse, SPACE, Pitchfactor, Timefactor, Looperlative LP-1, Axe FX Ultra, Nord Modular, DSI Tetra, Tempest, PEK, JDXA, Eurorack Modular, Octatrack, MDUW, Monomachine, A4, RYTM, Waldorf Q Phoenix, MWXTk, Blofeld, TR8.
https://www.youtube.com/channel/UCr1zAK ... LQZrUYGPQA
Favorite Gear: Kronos 61, M3, Z1, Radias, KPro, KP3, Moog Voyager, Foogers, Virus TI, Jupiter 80, Integra7, GAIA, SPD-30, Kiwi 106, RE-201, MC808, RC505, MV8800, DSI P6 and OB6 and P12, Ensoniq SQ80, EMU MP-7, Eventide H7600, Eclipse, SPACE, Pitchfactor, Timefactor, Looperlative LP-1, Axe FX Ultra, Nord Modular, DSI Tetra, Tempest, PEK, JDXA, Eurorack Modular, Octatrack, MDUW, Monomachine, A4, RYTM, Waldorf Q Phoenix, MWXTk, Blofeld, TR8.
@RonF
Immediacy -- yes, as long as you have the OT's button-pressing sequence down pat. Don't get me wrong, it's not hard, just requires some setup in advance and is not as 1-2-3 quick as the KP3 method.
The OT will automatically beat sync. You can capture up to 16 seconds on each of the 8 tracks, but in practice this means 4 bars/16 beats (essentially what the KP3 can grab), not 8/32.
BTW, the OT's effects are marvelous: Great sounding, two per track and you can chain up to four tracks' FX together. Programming the crossfader to adjust the parameters of multiple FX at once is a great tool.
All that being said, however, I have not phased the KP3 out of my liveset and don't plan to any time soon. The sheer immediacy of the looping and the fun of the touchscreeen, combined with the half-dozen or so FX it has that I find really useful, mean I want it there. And it's a rare gig that people don't ask about it afterward. The damn thing just oozes fun and showmanship opportunities. All this may be extraneous for your needs though.
Don't have a KPRO so I can't help you there.
Immediacy -- yes, as long as you have the OT's button-pressing sequence down pat. Don't get me wrong, it's not hard, just requires some setup in advance and is not as 1-2-3 quick as the KP3 method.
The OT will automatically beat sync. You can capture up to 16 seconds on each of the 8 tracks, but in practice this means 4 bars/16 beats (essentially what the KP3 can grab), not 8/32.
BTW, the OT's effects are marvelous: Great sounding, two per track and you can chain up to four tracks' FX together. Programming the crossfader to adjust the parameters of multiple FX at once is a great tool.
All that being said, however, I have not phased the KP3 out of my liveset and don't plan to any time soon. The sheer immediacy of the looping and the fun of the touchscreeen, combined with the half-dozen or so FX it has that I find really useful, mean I want it there. And it's a rare gig that people don't ask about it afterward. The damn thing just oozes fun and showmanship opportunities. All this may be extraneous for your needs though.
Don't have a KPRO so I can't help you there.
EMX-1, KP3, MachineDrum UW+, Octatrack, FCB-1010 Pedal, Mackie PA, Taylor T5
http://dubathonic.bandcamp.com/
http://dubathonic.bandcamp.com/
Thanks so much for the info!
Don't get me wrong....the OT sounds like a marvelous machine, and I do lust after one for a number of reasons. But, keeping with the topic of this thread...and based on your descriptions....I would say that its clear that the Octatrack is, once again, not a compelling competitor to KP3 for this type of live looping.
The "missing link" in the market right now is: Real time hardware based live looper, which syncs to midi clock, which can preset its loop length in beats....up to 32 beats at least...with one-touch sample capture (on KP3, once you set-up your loop size in beats, and go into sampling mode....all u need do is hit the sample pad once in time with the music and Done)..and optimally would provide for sound on sound looping per "slot" (we call it a Pad on the KP3, perhaps thats a Track on the OctaTrack).
Currently I don't see anything even close to this...other than Ableton Live (but we need a Hardware device!). KP3 is closest, and was a ground breaking concept in looping...but alas it misses sound on sound and is limited to 16 beats. I don't think there is anything else out there that fits this bill. Its a pity, because I think it would be a big seller if there was....and there is definitely the NEED in the marketplace for it
KP4???
Don't get me wrong....the OT sounds like a marvelous machine, and I do lust after one for a number of reasons. But, keeping with the topic of this thread...and based on your descriptions....I would say that its clear that the Octatrack is, once again, not a compelling competitor to KP3 for this type of live looping.
The "missing link" in the market right now is: Real time hardware based live looper, which syncs to midi clock, which can preset its loop length in beats....up to 32 beats at least...with one-touch sample capture (on KP3, once you set-up your loop size in beats, and go into sampling mode....all u need do is hit the sample pad once in time with the music and Done)..and optimally would provide for sound on sound looping per "slot" (we call it a Pad on the KP3, perhaps thats a Track on the OctaTrack).
Currently I don't see anything even close to this...other than Ableton Live (but we need a Hardware device!). KP3 is closest, and was a ground breaking concept in looping...but alas it misses sound on sound and is limited to 16 beats. I don't think there is anything else out there that fits this bill. Its a pity, because I think it would be a big seller if there was....and there is definitely the NEED in the marketplace for it
KP4???
http://soundcloud.com/ronf-3/sets/ronf-music
https://www.youtube.com/channel/UCr1zAK ... LQZrUYGPQA
Favorite Gear: Kronos 61, M3, Z1, Radias, KPro, KP3, Moog Voyager, Foogers, Virus TI, Jupiter 80, Integra7, GAIA, SPD-30, Kiwi 106, RE-201, MC808, RC505, MV8800, DSI P6 and OB6 and P12, Ensoniq SQ80, EMU MP-7, Eventide H7600, Eclipse, SPACE, Pitchfactor, Timefactor, Looperlative LP-1, Axe FX Ultra, Nord Modular, DSI Tetra, Tempest, PEK, JDXA, Eurorack Modular, Octatrack, MDUW, Monomachine, A4, RYTM, Waldorf Q Phoenix, MWXTk, Blofeld, TR8.
https://www.youtube.com/channel/UCr1zAK ... LQZrUYGPQA
Favorite Gear: Kronos 61, M3, Z1, Radias, KPro, KP3, Moog Voyager, Foogers, Virus TI, Jupiter 80, Integra7, GAIA, SPD-30, Kiwi 106, RE-201, MC808, RC505, MV8800, DSI P6 and OB6 and P12, Ensoniq SQ80, EMU MP-7, Eventide H7600, Eclipse, SPACE, Pitchfactor, Timefactor, Looperlative LP-1, Axe FX Ultra, Nord Modular, DSI Tetra, Tempest, PEK, JDXA, Eurorack Modular, Octatrack, MDUW, Monomachine, A4, RYTM, Waldorf Q Phoenix, MWXTk, Blofeld, TR8.
I agree, even if I just know the OT by elektron.com - I follow it, by now the O.S is too young, it can wait until V2.0.
The missing link is a better hardware sampler, for sure, with this wonderful resampling feature improved
and the hability to control the sampling not only with the hands but with the feet - usefull if your hands are occupied to play
The missing link is a better hardware sampler, for sure, with this wonderful resampling feature improved
and the hability to control the sampling not only with the hands but with the feet - usefull if your hands are occupied to play
di - soundcloud.com/BerimbauJack
The OT is a powerful piece of gear, but if you're interested in it only as a live looper, yes it's probably best to wait on it awhile. Based on my experience with the guys at Elektron (and this is literally a company of a half-dozen people), they are hard-working and market-savvy. I'm sure they are aware that there is substantial demand for the OT to do these things, and in fact it's advertised to be able to do them eventually. But they've got some programming to do to get it there. I'd bet some safe money that it will happen in coming months, but until then, unless you also want a powerful sequencer and effects processor, enjoy your KP3 and save your cash -- Elektron gear has a three-year warranty, so why not buy when it can do what you want?

Incidentally, you can easily get the KP3 to do just this if you connect the right MIDI footpedal. I've used my Behringer FCB for this purpose at live gigs for years. As long as you don't mind arming the "Sampling" button with your hand, the rest of the sampling process can be controlled with MIDI commands.didjeko wrote:ability to control the sampling not only with the hands but with the feet - usefull if your hands are occupied to play
EMX-1, KP3, MachineDrum UW+, Octatrack, FCB-1010 Pedal, Mackie PA, Taylor T5
http://dubathonic.bandcamp.com/
http://dubathonic.bandcamp.com/
Yes, I mind arming the sampling with the hand because I need both of them to play. In my case, it is for playing dan moï (vietnamese mouth harp in metal or bamboo), but it is the same for every musician needing its two hands, especially if you're using a microphone (sax, string instruments).
to my opinion, and as far as i've thought about this issue, the sampling / resampling function should be doable on the machine or via some controller you can configure regarding your needs.
to my opinion, and as far as i've thought about this issue, the sampling / resampling function should be doable on the machine or via some controller you can configure regarding your needs.
di - soundcloud.com/BerimbauJack
Actually when chad9477 says "arm the sampling button", he actually makes sense. This would be something you would do *before* beginning your performance and occupying your hands with your instrument (NOT a sexual reference!
). This serves to put the KP3 in its sampling mode. But once there, you can operate the sampling function hands free through a midi controller, such as a foot pedal. In this regard, and most every other, KP3 is nearly perfect. In my view....its the closest looping device to perfect in the market today. If only Korg would refresh it (KP4!) with more sampling time per Pad, and the very same sound-on-sound looping found in KPRO......it would be absolutely perfect.

http://soundcloud.com/ronf-3/sets/ronf-music
https://www.youtube.com/channel/UCr1zAK ... LQZrUYGPQA
Favorite Gear: Kronos 61, M3, Z1, Radias, KPro, KP3, Moog Voyager, Foogers, Virus TI, Jupiter 80, Integra7, GAIA, SPD-30, Kiwi 106, RE-201, MC808, RC505, MV8800, DSI P6 and OB6 and P12, Ensoniq SQ80, EMU MP-7, Eventide H7600, Eclipse, SPACE, Pitchfactor, Timefactor, Looperlative LP-1, Axe FX Ultra, Nord Modular, DSI Tetra, Tempest, PEK, JDXA, Eurorack Modular, Octatrack, MDUW, Monomachine, A4, RYTM, Waldorf Q Phoenix, MWXTk, Blofeld, TR8.
https://www.youtube.com/channel/UCr1zAK ... LQZrUYGPQA
Favorite Gear: Kronos 61, M3, Z1, Radias, KPro, KP3, Moog Voyager, Foogers, Virus TI, Jupiter 80, Integra7, GAIA, SPD-30, Kiwi 106, RE-201, MC808, RC505, MV8800, DSI P6 and OB6 and P12, Ensoniq SQ80, EMU MP-7, Eventide H7600, Eclipse, SPACE, Pitchfactor, Timefactor, Looperlative LP-1, Axe FX Ultra, Nord Modular, DSI Tetra, Tempest, PEK, JDXA, Eurorack Modular, Octatrack, MDUW, Monomachine, A4, RYTM, Waldorf Q Phoenix, MWXTk, Blofeld, TR8.
Yes but hte problem remains : you can do it only once, take only one loop, and must prepare the sampling of the-and-only-one loop you can with your feet. You cannot do it again on the fly while playing to take a good sounding loop you're playing.
In this case, two pedals or buttons switches outside the instrument could be easily available for doing this, whatever the form they could have.
*
Another point that could also be improved is the way the machine reacts when resampling on the fly to build some music. I mean, the fact that the resampled loop starts immediately is ok but it leads to some problems sometimes to set the recording/playing level. Doubling a loop (even for one bar) = +3db, so replacing a loop or making the 1st one stop when the next one begins would be a great tool for a best control of the output level, especially when shift-resampling a lot consecutively and in time.
Anyway, I believe that a V 3.0 OS for the KP3 could improve it a lot because I'm sure it is in its state improvable just by programming the firmware.
In this case, two pedals or buttons switches outside the instrument could be easily available for doing this, whatever the form they could have.
*
Another point that could also be improved is the way the machine reacts when resampling on the fly to build some music. I mean, the fact that the resampled loop starts immediately is ok but it leads to some problems sometimes to set the recording/playing level. Doubling a loop (even for one bar) = +3db, so replacing a loop or making the 1st one stop when the next one begins would be a great tool for a best control of the output level, especially when shift-resampling a lot consecutively and in time.
Anyway, I believe that a V 3.0 OS for the KP3 could improve it a lot because I'm sure it is in its state improvable just by programming the firmware.
di - soundcloud.com/BerimbauJack
Actually you can do it for each of the four sample pads. If you assign four different buttons on the footpedal to the pads' corresponding CC numbers, you can control them all in this fashion. What I do is get used to hitting the Sampling button every time I have a spare moment, so I've always got it armed and ready.didjeko wrote:Yes but hte problem remains : you can do it only once, take only one loop, and must prepare the sampling of the-and-only-one loop you can with your feet.
...Reasonably workable, though not what I'd wish for either; I'd like to see Korg implement a CC number for the Sampling button. That would enable you to do everything hands-free, which would make us all happy

EMX-1, KP3, MachineDrum UW+, Octatrack, FCB-1010 Pedal, Mackie PA, Taylor T5
http://dubathonic.bandcamp.com/
http://dubathonic.bandcamp.com/
I concur....it would be nice to have a midi controller for the Sampling button.
However....as a guitarist and keyboardist, and generally a performer who has his hands occupied at all times.....I have NEVER run into a situation when live looping on the KP3 where I couldn't press the Sampling Button to begin a loop recording "session". This issue is more using a foot switch to begin the actual loop recording in time with the music, than it is electing to move into the Sampling Mode of the KP3. At least that is how it has always been in my performances.
However....as a guitarist and keyboardist, and generally a performer who has his hands occupied at all times.....I have NEVER run into a situation when live looping on the KP3 where I couldn't press the Sampling Button to begin a loop recording "session". This issue is more using a foot switch to begin the actual loop recording in time with the music, than it is electing to move into the Sampling Mode of the KP3. At least that is how it has always been in my performances.
http://soundcloud.com/ronf-3/sets/ronf-music
https://www.youtube.com/channel/UCr1zAK ... LQZrUYGPQA
Favorite Gear: Kronos 61, M3, Z1, Radias, KPro, KP3, Moog Voyager, Foogers, Virus TI, Jupiter 80, Integra7, GAIA, SPD-30, Kiwi 106, RE-201, MC808, RC505, MV8800, DSI P6 and OB6 and P12, Ensoniq SQ80, EMU MP-7, Eventide H7600, Eclipse, SPACE, Pitchfactor, Timefactor, Looperlative LP-1, Axe FX Ultra, Nord Modular, DSI Tetra, Tempest, PEK, JDXA, Eurorack Modular, Octatrack, MDUW, Monomachine, A4, RYTM, Waldorf Q Phoenix, MWXTk, Blofeld, TR8.
https://www.youtube.com/channel/UCr1zAK ... LQZrUYGPQA
Favorite Gear: Kronos 61, M3, Z1, Radias, KPro, KP3, Moog Voyager, Foogers, Virus TI, Jupiter 80, Integra7, GAIA, SPD-30, Kiwi 106, RE-201, MC808, RC505, MV8800, DSI P6 and OB6 and P12, Ensoniq SQ80, EMU MP-7, Eventide H7600, Eclipse, SPACE, Pitchfactor, Timefactor, Looperlative LP-1, Axe FX Ultra, Nord Modular, DSI Tetra, Tempest, PEK, JDXA, Eurorack Modular, Octatrack, MDUW, Monomachine, A4, RYTM, Waldorf Q Phoenix, MWXTk, Blofeld, TR8.