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A thread for constructive criticism in anticipation of a K3
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HUBA



Joined: 10 May 2022
Posts: 30

PostPosted: Fri Aug 09, 2024 10:29 pm    Post subject: A thread for constructive criticism in anticipation of a K3 Reply with quote

This is a 2024 thread for sharing thoughts and ideas on how Korg could make a Kronos successor an actual success in the sense of being perceived by lots of musicians as desirable and a rational long time investment.

Many will feel an instant urge to point out that this has already been talked about, that Korg doesn't care or that they've made their last flagship level workstation. Maybe so. This is a thread just in case the truth lies somewhere else, as the fact of the matter is we don't know for sure what Korg's current thoughts are about all this. And for all of you who's knee jerk reaction is to get all up in arms about criticism and "negativity", you're more than welcome to agree with each other in the vast majority of other threads on this forum and the internet in general. You may comment in this thread too, but accept that everything conceivably negative about the existing Kronos is all fair game in this one. For the greater good and so on. Okay?

So, as the Kronos2 is already quite the complex beast, the natural thing would be use it as a starting point and comment on how it could be bettered. However, it's also getting pretty old, and so there might be aspects that should be entirely different from the Oasys/Kronos in a say 2027 flagship workstation.

Myself I happen to be a Kronos beginner so my observations will probably be well known and of limited value but I'll start things off with my thoughts on the Kronos nevertheless:

1) Screen needs adjustable angle. Viewing it hunched over is literally a pain in the neck after mere minutes. Massive issue.

2) UI is convoluted as all hell and everything looks tiny on the screen. Which strains the eyes. Massive issue #2.

3) No piano roll editor. Massive issue #3

4) No octave jump buttons. WTF?

5) Way too few physical knobs and buttons. Empty surfaces is not something I find desirable on gear.

6) I like the notebook feature that store with projects. Great feature.

7) While convoluted, I like that nearly everything is possible. Lots of ins and outs. Lots of insert effects is hugely important. Especially the ability to have long fx chains on single patches. More of that please.

That's it. For now at least. Your turn. Don't be shy
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average_male
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PostPosted: Sat Aug 10, 2024 5:41 am    Post subject: Reply with quote

Yea, all that. But as many will point out, this topic has been brought up since K1 on this and other forums. Short of it is, Korg had a features list, a budget and timetables to meet. If Korg didn't have to contend with any of these factors, your list of desires would have been fulfilled. Sorry if I soured your, 'only if' parade.
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HUBA



Joined: 10 May 2022
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PostPosted: Sat Aug 10, 2024 9:19 am    Post subject: Reply with quote

average_male wrote:
Yea, all that. But as many will point out, this topic has been brought up since K1 on this and other forums.


Sure but opinions tend to change over time. You know, as technology develops, competition changes etc. See it as an updated attempt to let Korg know how things stand. It's free and in theory it may make their next workstation better. Which may end up in your studio. With or without the improvements you'd like to see.

average_male wrote:
Short of it is, Korg had a features list, a budget and timetables to meet. If Korg didn't have to contend with any of these factors, your list of desires would have been fulfilled.


Well that could be said about anything. Unless there's something special about the Korg Kronos case(?)

So within those parameters, do you believe gear manufacturers are incapable of making mistakes or miscalculations leading to their product doing worse than it could?

It may not have been clear in my original post but the idea wasn't so much to bash the Kronos for the hell of it as it was to point out what could be improved in Korg's next workstation. So don't you have anything you'd like to see tweaked beyond the points I mentioned?

average_male wrote:
Sorry if I soured your, 'only if' parade.


Nah it takes more that that
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HardSync
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PostPosted: Sat Aug 10, 2024 3:11 pm    Post subject: Reply with quote

Focusing first on the screen angle, my personal wish list would be some sort of HDMI port thing or other connector so that we could hook up a large touchscreen tablet or laptop to mirror the screen output and functionality. These days, with my eyesight deteriorating rapidly from old age, I wish every synth had that option. It's rare that I can see what's happening on most of my synths without putting on reading glasses.

There's a relevant topic about this here: http://www.korgforums.com/forum/phpBB2/viewtopic.php?t=126362 So clearly it's not just my wish.

On the Korg M3 workstation, the entire sound module w/ screen tilted up of course. That made manufacturing more complex and costly, which is probably why Korg abandoned it. But I agree that an angled screen is easier on the neck.

The piano roll thing is a mystery -- it's possibly the most common request made since the Kronos came out. If you search on Piano AND Roll in this forum, you will find many hundreds of topics and posts mentioning it, complaining, etc. That it hasn't been implemented even in the Nautilus leads me to think that there is something that prevents implementation in the OASYS architecture (whereas the M3 does have a piano roll screen). I have no idea what that something would be. Maybe that's been answered somewhere.... There's also DAWs to consider, and while there are plenty of people like me who don't use them, there are even more who do use them.

Octave Up/Down buttons aren't typically needed on 88-note keyboards, which is probably why Korg went with a much more flexible SW1 SW2 functionality that could do many different things including octave shifts if you need to. You can also do those with KARMA buttons and sliders, and a small handful of other ways. Korg probably felt it was superfluous. Now if there had been a 37-key Kronos, yeah, you'd definitely need dedicated buttons.

How many more knobs would be acceptable, and what would you have those knobs do? Keep in mind, there are nine different synth engines to consider. Worst case scenario you could buy a controller with tons of assignable knobs that rests on one of those empty spaces.
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HUBA



Joined: 10 May 2022
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PostPosted: Sat Aug 10, 2024 3:32 pm    Post subject: Reply with quote

HardSync wrote:
Focusing first on the screen angle, my personal wish list would be some sort of HDMI port thing or other connector so that we could hook up a large touchscreen tablet or laptop to mirror the screen output and functionality. These days, with my eyesight deteriorating rapidly from old age, I wish every synth had that option. It's rare that I can see what's happening on most of my synths without putting on reading glasses.

There's a relevant topic about this here: http://www.korgforums.com/forum/phpBB2/viewtopic.php?t=126362 So clearly it's not just my wish.

On the Korg M3 workstation, the entire sound module w/ screen tilted up of course. That made manufacturing more complex and costly, which is probably why Korg abandoned it. But I agree that an angled screen is easier on the neck.

The piano roll thing is a mystery -- it's possibly the most common request made since the Kronos came out. If you search on Piano AND Roll in this forum, you will find many hundreds of topics and posts mentioning it, complaining, etc. That it hasn't been implemented even in the Nautilus leads me to think that there is something that prevents implementation in the OASYS architecture (whereas the M3 does have a piano roll screen). I have no idea what that something would be. Maybe that's been answered somewhere.... There's also DAWs to consider, and while there are plenty of people like me who don't use them, there are even more who do use them.

Octave Up/Down buttons aren't typically needed on 88-note keyboards, which is probably why Korg went with a much more flexible SW1 SW2 functionality that could do many different things including octave shifts if you need to. You can also do those with KARMA buttons and sliders, and a small handful of other ways. Korg probably felt it was superfluous. Now if there had been a 37-key Kronos, yeah, you'd definitely need dedicated buttons.

How many more knobs would be acceptable, and what would you have those knobs do? Keep in mind, there are nine different synth engines to consider. Worst case scenario you could buy a controller with tons of assignable knobs that rests on one of those empty spaces.


Interesting about the piano roll editor and the OASYS architecture. Maybe there's something to this. M3 is an option I'm looking into. Seems like a workstation dedicated to the Radias engine. I kinda like the idea of that.

Yeah most screens are too small but the amount of things showing at the same time on the Kronos screen makes it about the worst thinkable example. I believe the M3 has less going on at the same time. I'd love to have HDMI output or the likes on every synth out there myself.

Regarding octave buttons and physical control I prefer the more compact 61 key synth action versions. IMO they should just drown that version with knobs buttons and sliders as far as what's practically workable, leaving empty space on each side for the 6 and 7 octave versions. That seems to be the way things are going with Roland and Yamaha anyway so why not for Korg?
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timg11
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PostPosted: Sat Aug 10, 2024 3:45 pm    Post subject: Reply with quote

If you read all the threads like this over the past few years, and factor in the total silence from Korg, there is only one conclusion. Korg has decided they are no longer interested in offering a "flagship" workstation. It's like Toyota saying "we are not going to pursue our Lexus brand any more, but rather, put our efforts toward making more vehicles like the Corolla"

When I started with my Kronos in 2011, it was mostly for Smooth Sound Transition, which was a unique feature at the time.

My next instrument is going to be a software / plugin type of system with a MIDI controller. That is even better than SST, since I can have a huge number of plugins loaded and ready to play on a computer with lots of CPU and RAM. It finally eliminates polyphony and SST limits. Software and OS stability has improved a lot over the past 10 years, and I would now trust a software instrument in a live performance.

Of course if there had been a K3, I probably would have bought it, just for the simplicity of not re-doing much of my voices and sound design.
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KK
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PostPosted: Sat Aug 10, 2024 3:53 pm    Post subject: Reply with quote

http://www.korgforums.com/forum/phpBB2/viewtopic.php?t=123292
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HUBA



Joined: 10 May 2022
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PostPosted: Sat Aug 10, 2024 4:00 pm    Post subject: Reply with quote

timg11 wrote:
If you read all the threads like this over the past few years, and factor in the total silence from Korg, there is only one conclusion. Korg has decided they are no longer interested in offering a "flagship" workstation. It's like Toyota saying "we are not going to pursue our Lexus brand any more, but rather, put our efforts toward making more vehicles like the Corolla"


Agreed, but that's not to say Korg can't change their mind about this. After all, Roland and Yamaha in particular sell lots and lots of other things besides workstations. Korg not so much. IMO they've been the king of workstations and I don't for the life of me get why they would so easily give that up. I guess that's why I remain hopeful they'll eventually come through and release something on par with what the Triton and the Kronos was when new.
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HardSync
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PostPosted: Sat Aug 10, 2024 4:18 pm    Post subject: Reply with quote

KK, that angled screen mod is superb.

HUBA, the M3's UI does have fewer things happening on screen. Part of that is screen resolution, but also because there are more tabs or pages to move through. It's a great workstation even now, but I do wonder if it would ultimately disappoint you. It was designed to work with the EXB-Radias card, or you could put the OG Radias alongside it (if you can find the bracket and plate kit needed for that). I have both the EXB-Radias installed, and the OG Radias module. This is all fantastic, but you don't get nine synthesis engines on a M3. You don't get proper Wavesequencing either. It does have built-in pads though, and these feel a lot better than the Nanopad's pads, imo.

None of us know what Korg will or won't do in the future. It is fair to say to that market has changed considerably in the past decade, and what people want and can afford if those things are made are not the same. (I'd love a 3rd Wave, but I can't even justify the money to buy one -- it's just too far out of my acceptable price range.) I don't agree that silence means nothing is happening or is indicative of no new flagship workstations. In my brief experience with a synth manufacturer, we weren't allowed to talk about anything that was being developed. When the Kronos "dropped" it took pretty much all of us by surprise. I think Korg teased it briefly a few weeks before they announced it. If Korg is now working on anything "new" they'll do it the same way, I'd think.
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HUBA



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PostPosted: Sat Aug 10, 2024 5:55 pm    Post subject: Reply with quote

HardSync wrote:
KK, that angled screen mod is superb.

HUBA, the M3's UI does have fewer things happening on screen. Part of that is screen resolution, but also because there are more tabs or pages to move through. It's a great workstation even now, but I do wonder if it would ultimately disappoint you. It was designed to work with the EXB-Radias card, or you could put the OG Radias alongside it (if you can find the bracket and plate kit needed for that). I have both the EXB-Radias installed, and the OG Radias module. This is all fantastic, but you don't get nine synthesis engines on a M3. You don't get proper Wavesequencing either. It does have built-in pads though, and these feel a lot better than the Nanopad's pads, imo.

None of us know what Korg will or won't do in the future. It is fair to say to that market has changed considerably in the past decade, and what people want and can afford if those things are made are not the same. (I'd love a 3rd Wave, but I can't even justify the money to buy one -- it's just too far out of my acceptable price range.) I don't agree that silence means nothing is happening or is indicative of no new flagship workstations. In my brief experience with a synth manufacturer, we weren't allowed to talk about anything that was being developed. When the Kronos "dropped" it took pretty much all of us by surprise. I think Korg teased it briefly a few weeks before they announced it. If Korg is now working on anything "new" they'll do it the same way, I'd think.


Interesting points. I agree with all of them. Well as far as my knowledge goes anyway. Your inside description of how things work in the gear business lines up with my impressions.

As for ending up disappointed with the M3, I'm not comparing it to the Kronos but view it more as its own thing, sort of as an interesting affordable multitimbral synth with a proper sequencer bult in. As I understand it the card based Radias engine is identical to the hardware version in terms of both features and sound.

Yeah good point about affordability, although some of the technology is still getting cheaper as things develop. I'm in the same boat struggling to justify the price of the 3rd wave. GS just added modulation of the amounts of the first 8 modulation slots in the mod matrix...
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HUBA



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PostPosted: Sat Aug 10, 2024 7:22 pm    Post subject: Reply with quote

KK wrote:
http://www.korgforums.com/forum/phpBB2/viewtopic.php?t=123292


Wow that's pretty impressive. Looks absolutely flawless
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ChrisDuncan
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PostPosted: Sat Aug 10, 2024 8:39 pm    Post subject: Reply with quote

KK wrote:
http://www.korgforums.com/forum/phpBB2/viewtopic.php?t=123292

I hadn't seen that before.

Dude, you should be subcontracting for Synth Wizards.
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KK
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PostPosted: Sat Aug 10, 2024 9:50 pm    Post subject: Reply with quote

Thanks HardSync, HUBA and Chris. What I like about this mod is you can have the original LCD screen look/angle and the improved one, so very classy. And no more neck/head/shoulder aches after hours of sound programming on your Kronos. Very Happy

I've never heard about Synth Wizards, looks like a nice job that I would love to do (modifying keyboard instruments). But I doubt many Kronos owners would be interested as it takes a while to do and nobody likes to be without their Kronos.

My Kronos still works perfectly so it proves my mod is solid and still fine. The tough part is I had to use the materials available in my own Kronos. Zero room for mistakes. Ideally, some guy good at 3D printing would create a 3D design of the modified LCD holder I did very carefully by hand. Then I could complete this mod more quickly using 3D prints of the modified LCD holder. Cool
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HUBA



Joined: 10 May 2022
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PostPosted: Sat Aug 10, 2024 10:22 pm    Post subject: Reply with quote

KK wrote:
I've never heard about Synth Wizards, looks like a nice job that I would love to do (modifying keyboard instruments).


Then you should seriously consider it! Not many around as far as I know.

KK wrote:
I doubt many Kronos owners would be interested as it takes a while to do and nobody likes to be without their Kronos.


I think you'd be surprised. I for one wouldn't mind being without it for a few weeks to get this sleek a solution to one of my main issues with the Kronos. The truth is I don't use it much in the first place, partly because I so quickly get tired of viewing the screen as a turtle.

Now if we could find someone who could hack the OS somehow and code a piano roll editor we'd be talking.. Laughing
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ChrisDuncan
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PostPosted: Sat Aug 10, 2024 10:52 pm    Post subject: Reply with quote

KK wrote:

I've never heard about Synth Wizards, looks like a nice job that I would love to do (modifying keyboard instruments).


The name of the company is actually Syntaur. They specialize in parts for keyboards, old and new. However, they've also done custom mods for customers, which is what made me think of them when I saw yours.

They did a whole series on their adventures of finding, restoring and modding vintage keys.

https://www.youtube.com/playlist?list=PLLNZ36qP29I7xrabeFtg184WiEQl0QS6_
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Control Room: Fantom 7 | JV 2080 | Cubase 13 | Windows 10 | Yamaha TF5 | Mackie MCU | CMC AI, QC, TP
Keyboard Station: Kronos 2 88 | Cubase 13 | Windows 10 | Focusrite 18i20 | CMC TP
Editing Station: Montage M8x | Cubase 13 | Windows 10 | Focusrite Scarlett 2i2
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Chris Duncan
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