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Volume on midi bass pedalboard
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psionic311
Platinum Member


Joined: 14 Nov 2014
Posts: 1046
Location: Orlando, Florida USA

PostPosted: Sat Aug 31, 2019 2:26 am    Post subject: Reply with quote

Check out the stickied Tips and Tricks thread, second to last page.

If you're inclined to make templates, don't forget you can use the Control Surface tab to assign the sliders, knobs and buttons to common parameters and save that with your MOD7 Waveshaper template program. That way you can move multiple knobs and sliders to quickly sculpt new sounds and save them as you go.

Knobs to waveshaper table (waveform), drive, and offset
Knobs to filter A and filter B cutoff (try parallel Linked BPF for formants)
Switches to filter resonance amount
Switches to OSC on/off, LFO on/off and rate
Sliders to VPM OSC levels
Sliders to ADSR for filter/amp EGs

Extra credit
Polyphonic unison on 2 to 3 voices, stereo spread to taste
IFX chain:
Dyna Comp for beef
Stereo Decimator on Vintage 2 preset for crunch
Talking Modulator on Slow Mouth preset for fun
TFX recommendations:
Stereo Tube Emulator on Big Body Electric for warmth
Stereo Master Limiter on Mix Max to stay out of the red

Kronos. FM and Waveshaper boss with physical controllers. Already at a studio near you.

Cool
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yeskeys
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Joined: 05 Nov 2018
Posts: 128
Location: Virginia Beach VA

PostPosted: Sat Aug 31, 2019 4:18 pm    Post subject: Reply with quote

Thanks. Speaking of the Control Surface, I've really just started to explore that too. I see that you can customize it - are those customizations saved per Program? Sorry, I feel swamped with the amount of knowledge necessary to totally grasp the enormity of the functionality of this amazing instrument. That's good though, it's so deep that every day I find new stuff that gets me excited to work with it. Sounds like you are at least a year ahead of me - thanks for the insights.
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Korg Karma module, Kronos61, SEQUENTIAL PRO3, DSI OB6, Oberheim OB8, XStation25, Yamaha MFC (for Karma Pads), Omnisphere, guitars by Tom Anderson, Gibson, Fender, Ibanez, D'Angelico, Parker, Line6, Guitar Processors by Fractal Audio, Amplification by Mesa, Carvin, w/Celestion V30(!)
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psionic311
Platinum Member


Joined: 14 Nov 2014
Posts: 1046
Location: Orlando, Florida USA

PostPosted: Sat Aug 31, 2019 7:44 pm    Post subject: Reply with quote

yeskeys wrote:
Thanks. Speaking of the Control Surface, I've really just started to explore that too. I see that you can customize it - are those customizations saved per Program? Sorry, I feel swamped with the amount of knowledge necessary to totally grasp the enormity of the functionality of this amazing instrument. That's good though, it's so deep that every day I find new stuff that gets me excited to work with it. Sounds like you are at least a year ahead of me - thanks for the insights.


Welcome to the journey.

It took me a few years to get to this level, and I still have a ways to go (sampling and sequencing, I'm looking at you!).

I'm glad I got you interested in the Control Surface, it really is super useful (and under-rated imo). Quick, quick tutorial is below.

=============================

CS physical controllers vs the CS tab (onscreen):

1. Note that along with the physical controllers themselves, there is a corresponding Control Surface tab.
From any mode (Combi, Program, etc), press the EXIT button several times to get to its "home" screen.
Control Surface tab will be on lower right of that home screen.

2. You can still use the knobs/switches/sliders no matter what the touchscreen shows.
In other words, you can be looking at the Set List screen,
but still control your iPad volume when the Control Surface is set to Audio. Etc.
Let the Control Surface LED be your guiding light --
If Track/Timbre is lit, then sliders control the volumes of individual parts.
If Tone Adjust is lit, then sliders control whatever you have assigned to them (like drawbars, etc).
(again, this is no matter what the touchscreen shows)

=============================

Alright, now for the bird's eye view of the Kronos Control Surface.
Going by the column of CS buttons by which you pick your poison:

Timbre/Track
- most useful in Combi mode as a live mixer for mute, pan, volume
- adjust volumes, etc, on 8 parts at a time (1 thru 8, or 9-16)
- 9th slider acts as Master volume (MIDI volume CC#7)

Audio
- sliders control stereo Audio in, USB in, and SPDIF in, in that order.
- press SOLO button on right to use lower switches as "solo" instead of "select"
- see also GLOBAL mode Audio tab, for Bus Select ==> Output jacks

EXT
- for using your Kronos as a MIDI controller for softsynths or external hardware
- any knob/switch/slider can be set to any MIDI channel and CC
- first, you make your External templates (called "Setup" in Korg-speak) in GLOBAL mode
- then when in Program/Combi/Set List mode, press EXT button
- go to Control Surface tab, and choose your relevant Setup # from upper right

RT/KARMA
- first 4 knobs are permanently assigned to Filter Cutoff, resonance, etc
- last 4 knobs can be manually assigned whatever you want
- main action is on the KARMA sliders and scene switches

Tone Adjust
- this is where the good stuff is at!
- yes, you can make your own template and save these per program/combi

- in Program mode
-- knobs/switches/sliders are often pre-assigned to useful parameters
-- moving it adjusts the related parameter
-- if you leave the program, changes are not saved
-- if you save after adjusting, the program remembers the change
-- use dropdown arrows to customize and make your own templates!
-- pro tip: highlight value field under switch to make continuous data entries!

- in Combi mode
-- you have 16 pages, one Control Surface for each timbre/part
-- see upper right corner to choose which part you're currently looking at
-- pro tip/shortcut key: press and hold Tone Adjust then press Switch to select which timbre to work on

in Set List mode
- Tone Adjust works like Combi or Program mode
- the button also toggles to the Set List EQ
- this is a Total EQ, which comes *after* all other sound processing
- designed for live use, like your FOH sound man's graphic EQ
- saved per Set List, so George's Pub and Grand Ballroom have different EQs

Hope that helps!
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