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Making CLARINET sound in MOSS
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Senior Member

Joined: 08 Mar 2002
Posts: 295
Location: Melbourne Australia

PostPosted: Thu Mar 04, 2010 1:34 pm    Post subject: Reply with quote

Ahmed Jaber wrote:
I still don't understand why some peoples will not help others is this selfish or ego.

Mate, on this board and on that point you are WAY out of line. You need to check the downloads section of this forum to find out how beneficial this forum has been for many users. Do a search of forum topics and you'll find basic programing tips all over the place.

Also, sounds are proprietary. It is what distinguishes 1 player from another. Preset tweaking is probably what resulted in Nor's sounds. I suggest you do the same. Maybe you should start with a search on google such as this http://www.google.com.au/search?q=synth+programing&ie=utf-8&oe=utf-8&aq=t&rls=org.mozilla:en-US:official&client=firefox-a

All the best
V Narayan
ex Fiji
ex Marshall Islands
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Ahmed Jaber

Joined: 10 Jan 2010
Posts: 30
Location: Sweden

PostPosted: Thu Mar 04, 2010 10:11 pm    Post subject: Reply with quote

Thank you Vim for your help. That is exact i want,i don't want any sound from any member free,just i want any tips or guide to learn not only me but thousent of members to make own sounds in triton extreme.
Thank you again
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Approved Merchant
Approved Merchant

Joined: 29 May 2005
Posts: 6510
Location: NYC, USA

PostPosted: Sun Mar 28, 2010 4:06 am    Post subject: Reply with quote

Everyone is right in here, Nor and Ahmed and me and everybody but there is
something else to it...Physical Modeling is not something or similar like PCM
based Sounds or Sample based Sounds where i can tell you ''Oh get a Sax on
OScilator 1 then do this with the Amp and this with the Filter and add reverb
and you are done''. Things in this world of programming are a little different.
I released a set of 72 Oriental Sounds for MOSS which is still for sale, at the
time and probably even today was/is the best and cleanest Set and probably
the most Sold of all times...now, i sold my Triton with MOSS, i dont have one
anymore...if i could i would give all tips possible but i cant, i have no knowledge
of that like this...Physical Modeling is complicated, i was creating Violin from
Brass Model and Clarinets from Plucked Model and Neys from Bowed Model,
thats how complex it can get...now you honestly tell me what tips can i give
someone for MOSS where i have no clue my self where to start? Most of us
Oriental guys that programmed that we went only by ear, what we heard and
tweaked at the moment. If you go on my webpage and listen to my demos and
then ask me how i made ONE of them I HAVE NO CLUE MY SELF!
I hope you understood my point...while NOT SHARING its a completely
different TOPIC...i'll tell you one thing...i dont have another job, thats how
i make my living, buy synths, pay rent, pay rent for studio, buy cigarettes
and else...just by programming sounds, not even playing live anymore.
And yes, i am willing to help someone now, ask the question and i see if
can answer which doubt to answer anything like this by remembering but
i cannot answer a question of the type HOW DO I MAKE KOTIS KLARINET
cuz me my self dont know how to make it untill i have the Synth on in front of me.
I'll give you a response to this question on my own which will confuse you
even more:
Sellect the Bowed Mode and ... where do we go from there?
And also you can use the Brass or Woodwind mode for this too.

Oriental Violins...stay away from Bowed Model, it is the worst of all.
Clarinets...use the Bowed or any of the Analog Modeling Models but not WW.
Nice Oriental Electric Saz or Guitars, use the Analog Modelings.

I was always the type of a guy when i need Reverb i use Delay to achieve
Reverb and when i need Delay i use Reverb to achieve that and yes, it works
best for me, sometimes way better then using just what the name says.

Best wishes.
Cubase 8.5 Pro. Windows 7 X64. ASUS SaberTooth X99. Intel I7 5820K. ASUS GTX 960 Strix OC 2GB. 4x8 GB G.SKILL.
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